Jacob Clemens non Papa, Julyo's ' "Souterliedekens" was released on its scheduled release date, August 19, 2019. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 63 in the song's album "Time Machine: The Renaissance". In this album, this song's track order is #37. Furthermore, we believe that the track originated from United States. The popularity of Souterliedekens is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Souterliedekens by Jacob Clemens non Papa, Julyo having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lachrimae or Seven Tears: VIII. Mr Nicholas Gryffith his Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Crecquillon: Je ne fais riens que plaindre et soupirer | Thomas Crecquillon, Stéphane Caillat, Ensemble Per cantar e sonar | E Minor | 8 | 9A | 114 BPM | ||
| Promptuarium musicum, Pars Tertia: Osculetur me osculo oris sui | Vincenzo Bertolusi, Raphael Pichon, Ensemble Pygmalion | F♯ Minor | 2 | 11A | 124 BPM | ||
| Quemadmodum | John Taverner, Owen Rees, Contrapunctus | C Minor | 1 | 5A | 76 BPM | ||
| O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
| Heu nos miseros | Leonardo Leo, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
| Nunc dimittis, from Short Evening Service | Orlando Gibbons | A Major | 1 | 11B | 133 BPM | ||
| O viridissima virga | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén | A♭ Major | 0 | 4B | 171 BPM | ||
| In te Domine speravi | Jacob Clemens non Papa, The Brabant Ensemble, Stephen Rice | F Minor | 1 | 4A | 74 BPM | ||
| O presul vere civitatis, BN 45 | Hildegard von Bingen, Christopher Page, Gothic Voices, Margaret Philpot | A Major | 0 | 11B | 93 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Pray for Peace | Komitas, Armen Badalyan, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | G Minor | 2 | 6A | 81 BPM | ||
| Ave Maria | Jacob Clemens non Papa, Rudolf Werthen, I Fiamminghi (The Orchestra of Flanders), Erick van Nevel, Currende | D Minor | 0 | 7A | 138 BPM | ||
| In manus tuas I: In manus tuas I | John Sheppard, Stile Antico | C Major | 0 | 8B | 79 BPM | ||
| Lamentations Ieremiae Prophetae: Bonum est viro | Alonso Lobo, Tenebrae, Nigel Short | B Minor | 1 | 10A | 140 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| O King of the Nations (O Rex Gentium - 22 December) | David Ogden, St Martin's Voices, Andrew Earis | B Minor | 1 | 10A | 97 BPM | ||
| Crecquillon: Ung gay bergier | Thomas Crecquillon, Stéphane Caillat, Ensemble Per Cantar e Sonar | C Major | 1 | 8B | 135 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
| Madrigali a cinque voci, Libro quarto: No. 1, Luci serene e chiare | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | A Major | 1 | 11B | 73 BPM | ||
| Missa O lumen ecclesie: Christe | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 3 | 11A | 78 BPM | ||
| Finale | Tallis Chamber Choir, Edinburgh Renaissance Band, The | E Major | 2 | 12B | 77 BPM | ||
| Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
| Nacht und Träume, D. 827 (Transcr. Gottwald for Choir) | Franz Schubert, Kammerchor Stuttgart, Frieder Bernius | G Minor | 1 | 6A | 106 BPM | ||
| Messe vidi turbam magnam: No. 3, Gloria | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 100 BPM |