Francisco Tárrega, Andrés Madariaga's ' "Lágrima (Preludio)" was released on its scheduled release date, October 22, 2022. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Lágrima (Preludio)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 17 in An Idea by Andrés Madariaga. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Lágrima (Preludio) is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Lágrima (Preludio) by Francisco Tárrega, Andrés Madariaga is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kassya: Trepak | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | D Minor | 1 | 7A | 127 BPM | ||
| Préludes / Book 1, L. 117: No. 8, The Girl with the Flaxen Hair | Claude Debussy, Ruth Slenczynska | F♯ Major | 0 | 2B | 71 BPM | ||
| 3 Intermezzi, Op. 117: No. 1, Andante moderato | Johannes Brahms, Hélène Grimaud | E♭ Major | 0 | 5B | 138 BPM | ||
| String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | ||
| Danza mora | Francisco Tárrega, Giulio Tampalini | E Minor | 1 | 9A | 92 BPM | ||
| I. Touch Her Soft Lip and Part | William Walton, Michaela Rózsa Růžičková, Czech Symphony Orchestra | C Major | 1 | 8B | 91 BPM | ||
| Nocturne No. 2 in C Minor, H. 25 | John Field, Benjamin Frith | C Minor | 0 | 5A | 98 BPM | ||
| Le nozze di Figaro, K. 492: Overture | Wolfgang Amadeus Mozart, BBC Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 79 BPM | ||
| À Chloris (Arr. for guitar and harp) | Reynaldo Hahn, Duo Multicorde, Andrés Madariaga, Maria-Theresa Freibott | D Major | 1 | 10B | 62 BPM | ||
| Constellation of Future Memories (Constelación de los Recuerdos Futuros) | Julián Fueyo | D Minor | 0 | 7A | 78 BPM | ||
| Arabesque in E major, L 66: N°1 | Paola Larini | E♭ Major | 1 | 5B | 109 BPM | ||
| Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
| Passacaglia | Silvius Leopold Weiss, Miloš Karadaglić | D Major | 1 | 10B | 86 BPM | ||
| Recuerdos de la Alhambra | Francisco Tárrega, Giulio Tampalini | A Major | 1 | 11B | 152 BPM | ||
| Promenade | José Salinas | C Major | 0 | 8B | 195 BPM | ||
| All-Night Vigil "Vespers", Op. 37: V. Nunc dimittis (Version for Solo Piano) | Sergei Rachmaninoff, Steven Osborne | D Major | 1 | 10B | 98 BPM | ||
| Quartetto Op.41: Rondo: Allegro | François René Gebauer, Quodlibet Winds | B♭ Major | 2 | 6B | 101 BPM | ||
| Nocturne in D-Flat Major, Op. 27 No. 2 | Frédéric Chopin, Ingrid Fliter | D♭ Major | 0 | 3B | 68 BPM | ||
| Clarinet Concerto in A Major, K. 622: 2. Adagio | Wolfgang Amadeus Mozart, Antony Pay, Academy of Ancient Music, Christopher Hogwood | D Major | 0 | 10B | 79 BPM | ||
| Adagio in F Major, Hob. XVII:9 | Joseph Haydn, Xavier De Maistre | C Major | 2 | 8B | 66 BPM | ||
| 3 Romances, Op. 11: No. 1, Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
| Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
| An Idea (Passacaglia for Eli) | Leo Brouwer, Andrés Madariaga | F Major | 1 | 7B | 76 BPM | ||
| Expanding Phrases | Buck McDaniel, Julia Henderson, Sonia Bize | D Minor | 0 | 7A | 170 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM |