Dynamic Triptych, Op. 88: I. Dynamic Mode by John Foulds, Howard Shelley, Royal Philharmonic Orchestra, Vernon Handley Song Details

"Dynamic Triptych, Op. 88: I. Dynamic Mode" by John Foulds, Howard Shelley, Royal Philharmonic Orchestra, Vernon Handley had its release date on September 1, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vaughan Williams: Piano Concerto – Foulds: Dynamic Triptych, Op. 88 by Howard Shelley, Royal Philharmonic Orchestra, Vernon Handley. The song's track number on the album is #4 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Dynamic Triptych, Op. 88: I. Dynamic Mode is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Dynamic Triptych, Op. 88: I. Dynamic Mode by John Foulds, Howard Shelley, Royal Philharmonic Orchestra, Vernon Handley has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Dynamic Triptych, Op. 88: I. Dynamic Mode being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.

Music Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -33.423 dB
Acousticness: 85%
Danceability: 10%
Energy: 1%
Instrumentalness: 75%
Liveness: 87%
Loudness: 44%
Speechiness: 4%
Valence: 4%

Recommendations

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Suite Fantastique, Op.72: iii. The Wayside Cross (Rather slow (Very tranquil))	John Foulds, BBC Concert Orchestra	D Major	3	10B	81 BPM
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Keltic Suite, Op.29: ii. A Lament (Lento eroico)	John Foulds, BBC Concert Orchestra	A Major	1	11B	120 BPM
Piano Trio in C Minor: III. Adagio	Nikolai Rimsky-Korsakov, Trio Karénine	A Major	4	11B	124 BPM
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto	Dmitri Shostakovich, Han-Na Chang, Antonio Pappano, London Symphony Orchestra	E Minor	0	9A	134 BPM
Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato	Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne	C Major	1	8B	76 BPM
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A World Requiem, Op. 60, Pt. 2: 12. Elysium (Soprano, Tenor, Chorus)	John Foulds, Leon Botstein, BBC Symphony Orchestra, Jeanne-Michele Charbonnet, Stuart Skelton, Trinity Boys Choir, Crouch End Festival Chorus, Gerald Finley, Philharmonia Chorus	C Minor	1	5A	85 BPM
Dvořák: String Sextet in A Major, Op. 48, B. 80: III. Furiant. Presto	Antonín Dvořák, Sarah Chang, Bernhard Hartog, Wolfram Christ, Tanja Christ, Georg Faust, Olaf Maninger	A Major	1	11B	130 BPM
Foulds : 3 Mantras Op.61b : I Of Action and Vision of Terrestrial Avataras	John Foulds, City of Birmingham Symphony Orchestra, Sakari Oramo	G Major	4	9B	106 BPM
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