- BPM
- 111
- Key
- B Major
- Camelot
- 1B
Ku-Ka-Ilimoku by Christopher Rouse, Continuum Percussion Quartet Song Details
Christopher Rouse, Continuum Percussion Quartet's ' "Ku-Ka-Ilimoku" was released on its scheduled release date, January 1, 1989. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The song is number 6 out of 9 in Cage/Harrison/Rouse/Kurtz/Bazelon/Verplanck: Percussion Works by Continuum Percussion Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Ku-Ka-Ilimoku is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
The tempo marking of Ku-Ka-Ilimoku by Christopher Rouse, Continuum Percussion Quartet is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Music Key
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -23.021 dB
- Acousticness
- 86%
- Danceability
- 46%
- Energy
- 31%
- Instrumentalness
- 19%
- Liveness
- 13%
- Loudness
- 62%
- Speechiness
- 13%
- Valence
- 45%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | |
 | Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | |
 | Symphony No. 3 (After Prokofiev): I. Allegro | Christopher Rouse, New York Philharmonic, Alan Gilbert | F Major | 5 | 7B | 147 BPM | |
 | Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A Major | 0 | 11B | 88 BPM | |
 | Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | |
 | Symphony No. 1, Op. 9: III. Andante tranquillo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Major | 3 | 6B | 93 BPM | |
| Walt Whitman Overture, Op. 7, H. 42 | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | |
 | Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM | |
 | Bright Blue Music | Michael Torke, Baltimore Symphony Orchestra, David Zinman | D Major | 2 | 10B | 118 BPM | |
 | Prelude: Allegro - Meno mosso - Alla breve (Allegro) - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 74 BPM | |
 | Symphony No. 1 in F Minor, Op. 10: III. Lento - Largo - Lento | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | E Major | 0 | 12B | 76 BPM | |
 | Flute Concerto: II. Alla marcia | Christopher Rouse, Robert Langevin, Leonard Slatkin, New York Philharmonic | B♭ Minor | 2 | 3A | 180 BPM | |
 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | |
 | Daphnis et Chloé Suite No. 2, M. 57b: 1. Lever du jour | Maurice Ravel, Royal Concertgebouw Orchestra, Bernard Haitink | E♭ Minor | 4 | 2A | 86 BPM | |
 | Le sacre du printemps / Pt. 1: L'Adoration de la terre: V. Jeux des cités rivales | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Minor | 3 | 5A | 110 BPM | |
 | Ravel: Suite No. 2 from Daphnis et Chloé, M. 57: III. Danse générale | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | D♭ Major | 4 | 3B | 84 BPM | |
 | The Firebird, KC 10: IX. Second tableau - Disparition du palais et des sortilèges de Kachtcheï, animation des chevaliers pétrifiés | Igor Stravinsky, London Symphony Orchestra, Valery Gergiev | B Major | 3 | 1B | 90 BPM | |
 | Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | A♭ Minor | 0 | 1A | 71 BPM | |
 | Syrinx (Arr. J.M. Londeix) | Claude Debussy, Gerard McChrystal | E Minor | 3 | 9A | 164 BPM | |
 | Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | |
 | Danzas fantásticas, Op. 22: I. Exaltación | Joaquín Turina, Juanjo Mena, BBC Philharmonic | E Minor | 0 | 9A | 129 BPM | |
 | Wood Notes: II. Autumn Night: Lightly | William Grant Still, Fort Smith Symphony, John Jeter | D Minor | 0 | 7A | 65 BPM | |
 | Romeo and Juliet, Op. 64, Act II: No. 34, Death of Mercutio | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | B Minor | 0 | 10A | 103 BPM | |
 | Les biches Suite, FP 36b: II. Adagietto | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | B♭ Major | 1 | 6B | 112 BPM | |
 | Études, CD 143, Livre 1: IV Pour les sixtes (Arr. for Ensemble by Thibault Bertin-Maghit) | Claude Debussy, collectif9 | F♯ Minor | 0 | 11A | 58 BPM |
- ISRC
- US4QP0438206
- Label
- L-M Records/RCA Records