Donald Harrison, Christian Scott aTunde Adjuah's ' "The Hook Up" was released on its scheduled release date, April 16, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Two of a Kind". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, The Hook Up's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The Hook Up by Donald Harrison, Christian Scott aTunde Adjuah having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Minor Bash | Lou Donaldson | D♭ Major | 5 | 3B | 96 BPM | ||
| Amsterdam After Dark | George Coleman, Sam Jones, Billy Higgins, Hilton Ruiz | D♭ Major | 4 | 3B | 135 BPM | ||
| Soul Second Line | Papa Grows Funk | B Major | 8 | 1B | 94 BPM | ||
| Latin Digs | Erroll Garner | C Minor | 4 | 5A | 121 BPM | ||
| Wildman | Orlando Gilbert, John 'Prince' Gilbert, Donald Harrison | F Minor | 6 | 4A | 176 BPM | ||
| Tell Ya Mama Nem | Corey Henry | B♭ Major | 9 | 6B | 102 BPM | ||
| Hey Pocky Away | Treme Brass, Indian Band | G Major | 5 | 9B | 182 BPM | ||
| Stick With It | Ray Bryant Trio | G Minor | 4 | 6A | 106 BPM | ||
| And How That Rhythm | The New Orleans Legacy Ensemble, Donald Harrison | B♭ Minor | 5 | 3A | 199 BPM | ||
| Spirits Of Congo Square | The New Orleans Legacy Ensemble, Donald Harrison | C Major | 4 | 8B | 177 BPM | ||
| Big Chief (feat. Dr. John) | Dee Dee Bridgewater, Irvin Mayfield, New Orleans Jazz Orchestra, Dr. John | B♭ Minor | 8 | 3A | 115 BPM | ||
| Ad Infinitum | Carla Bley | B Minor | 6 | 10A | 187 BPM | ||
| Too Much Blues | James Booker | F Major | 3 | 7B | 124 BPM | ||
| Spillin' the Tea | Emmet Cohen | B Minor | 4 | 10A | 89 BPM | ||
| New Second Line - Mardi Gras 2001 (feat. Kermit Ruffins) | Los Hombres Calientes, Kermit Ruffins | D♭ Major | 9 | 3B | 106 BPM | ||
| Meet the Flinstones | Clark Terry, Red Holloway, Major Holley, John Campbell, Lewis Nash | B♭ Major | 3 | 6B | 84 BPM | ||
| Funky AECO | Art Ensemble Of Chicago | D♭ Major | 4 | 3B | 101 BPM | ||
| Spartacus | Branford Marsalis Quartet | D Minor | 6 | 7A | 128 BPM | ||
| Ain't That the Same | Christian Sands | D♭ Minor | 4 | 12A | 97 BPM | ||
| Hurricane Season | Trombone Shorty | G Major | 8 | 9B | 100 BPM | ||
| Detroit Fight Song | Endea Owens | B♭ Minor | 7 | 3A | 183 BPM | ||
| Rios Negroes | Lester Bowie | D Major | 2 | 10B | 83 BPM | ||
| Swing low, sweet chariot | Archie Shepp, Horace Parlan | G Major | 1 | 9B | 69 BPM | ||
| Som Plommen i Egget | Storytelling Sounds | A Major | 3 | 11B | 120 BPM | ||
| Dive In The Gumbo | Anders Osborne, Monk Boudreaux | A♭ Major | 8 | 4B | 95 BPM |