Bijli Rani's ' "Injan Ke Ginjan" was released on its scheduled release date, February 1, 1996. This song is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The track order of this song in Bijli Rani's "Gaadi No.11" album is number 10 out of 10. On top of that, India appears to be the country where this track was created. In terms of popularity, Injan Ke Ginjan is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Injan Ke Ginjan by Bijli Rani to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Janni Nithoor Bisrayih Na Lalanwa | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Ja Jaan | Arjun, Anupma yadav | F Major | 8 | 7B | 128 BPM | ||
| Jati Chara Jai Go | Parikshit Bala | D Major | 4 | 10B | 101 BPM | ||
| Mene Tuje Chaha | Poonam Gondaliya | F♯ Major | 7 | 2B | 138 BPM | ||
| Delhi Mumbai Kolkata Ghumaibau | Nitish Sharma | A♭ Major | 9 | 4B | 170 BPM | ||
| Tuhinje Koran Wadan | Fozia Soomro | A Minor | 5 | 8A | 125 BPM | ||
| Hishab | Momtaz | F♯ Minor | 10 | 11A | 108 BPM | ||
| Aanchar Bheej Gail - Purvi Classical Folk | Kalpana Patowary | E♭ Major | 7 | 5B | 100 BPM | ||
| Mamta Ke Murti Aahan | Rambabu Jha | D♭ Major | 9 | 3B | 85 BPM | ||
| Sapna Me Dekhli Ratiya | Madhu Pandey | E♭ Major | 9 | 5B | 78 BPM | ||
| Lala Ki Paijaniya Baaje Re | Vijay Soni | G Major | 7 | 9B | 130 BPM | ||
| Asha Amar Asha | Khalid Hasan Milu, Doly Sayontoni | G Minor | 8 | 6A | 136 BPM | ||
| Hum Mohabbat Main Kis Par Harosa Kare | Bijli Rani | E♭ Minor | 8 | 2A | 78 BPM | ||
| Shirdi Mein Mujhe Bula Lo | Kapil Vyas | A♭ Major | 7 | 4B | 81 BPM | ||
| Nowa Rila Mala | Singrai Soren, Sawna Hansda, Pallabi | G Major | 7 | 9B | 180 BPM | ||
| Holi Ka Tyohaar Hai Aaya | Gyanendra Sharma, Ravi Sharma | C Major | 9 | 8B | 135 BPM | ||
| Saji Lagli Dulhan Dekho | Prem Kumar, Tripti Shakya, Bijli Rani | A♭ Major | 6 | 4B | 90 BPM | ||
| Sanwariya Re | Prem Shankar Jaat, Trisha Suthar | D♭ Minor | 6 | 12A | 153 BPM | ||
| Sai Sevakchi Palkhi Chalali Shirdi Gavi | Jayesh Parab | A♭ Major | 9 | 4B | 180 BPM | ||
| AAVAGI AANDHI RE | Ashwini Pawar | F♯ Major | 9 | 2B | 91 BPM | ||
| Sanwara Suratiya | Sharda Sinha | A♭ Major | 6 | 4B | 144 BPM | ||
| Seeti Maare Daudi Rehiya Mein | Naresh Kumar Yadav, Bijli Rani | D Minor | 7 | 7A | 109 BPM | ||
| Jekar Nath Bholenath | Kalpana Patowary | D♭ Major | 1 | 3B | 66 BPM | ||
| Jaikra Tan Mein Jawani | Bharat Sharma Vyas | A♭ Major | 7 | 4B | 161 BPM | ||
| Chelva Banaal Brijbhaan Ke | Byas Naresh Kumar Yadav, Bijli Rani, Kiran Rani | D Major | 8 | 10B | 134 BPM |