"DeMarco's End" by Christophe Beck had its release date on January 1, 2004. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. DeMarco's End's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 21 in Elektra (Original Motion Picture Score) by Christophe Beck. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, DeMarco's End is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of DeMarco's End by Christophe Beck is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Huckster Sorcerer | Wilbert Roget, II | F Minor | 9 | 4A | 100 BPM | ||
| The Nemesis Vs. S.T.A.R.S. | Jeff Danna | D Major | 5 | 10B | 120 BPM | ||
| Technically, Missing | Trent Reznor and Atticus Ross | G Minor | 1 | 6A | 76 BPM | ||
| Anarchy | Trevor Rabin | F Minor | 6 | 4A | 77 BPM | ||
| Lucian and Sonja's Love Theme | Paul Haslinger | F Minor | 1 | 4A | 87 BPM | ||
| The Victor | Chris Benstead | D♭ Major | 3 | 3B | 100 BPM | ||
| The Night Has Ears | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| Genesis | Christophe Beck | G Major | 1 | 9B | 111 BPM | ||
| Miss Fidel & JJ | Chris Benstead, The Chamber Orchestra Of London, Tom Kilworth, Thomas Gould | G Minor | 3 | 6A | 130 BPM | ||
| The Mummy | Jerry Goldsmith | F Major | 4 | 7B | 132 BPM | ||
| Home Invasion | Graeme Revell | A Major | 8 | 11B | 150 BPM | ||
| King Arthur: Destiny of the Sword | Daniel Pemberton | D Major | 5 | 10B | 90 BPM | ||
| The God Of War | Rupert Gregson-Williams | B Minor | 3 | 10A | 102 BPM | ||
| Arthropodie | Christophe Beck | G Major | 3 | 9B | 170 BPM | ||
| The Cruel Delight | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| Convoy | Jóhann Jóhannsson | B Minor | 1 | 10A | 90 BPM | ||
| Knight of Wands | Christophe Beck, Michael Paraskevas | F Minor | 1 | 4A | 56 BPM | ||
| The Girl On the Bus | Thomas Newman | E Major | 4 | 12B | 144 BPM | ||
| Welcome To The Real World | Don Davis | C Minor | 0 | 5A | 142 BPM | ||
| Inner Fireworks | Éric Serra | B♭ Major | 6 | 6B | 110 BPM | ||
| Permission To Come Aboard | Rupert Gregson-Williams | D♭ Major | 5 | 3B | 146 BPM | ||
| Mission | Stanley Clarke | A Major | 5 | 11B | 135 BPM | ||
| Do What You Must | Bobby Tahouri | E♭ Minor | 3 | 2A | 118 BPM | ||
| The Legend of Excalibur | Daniel Pemberton | G Major | 3 | 9B | 89 BPM | ||
| Exosuit | Clinton Shorter | B♭ Major | 6 | 6B | 136 BPM |