On March 21, 2025, the song "Snow White: III. Evil Queen’s Promenade" was released by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Snow White: III. Evil Queen’s Promenade's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexander Litvinovsky, Nikolay Donskoy, Pavel Lyubomudrov, Metamorphose String Orchestra's "Litvinovsky: Snow White (Suite for String Orchestra and Flute)" album is number 3 out of 19. On top of that, Italy appears to be the country where this track was created. Snow White: III. Evil Queen’s Promenade is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Snow White: III. Evil Queen’s Promenade by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Bayadere, Act I, Scene 1: 11. "Pas De Deux, Nikiya and Solor Continued" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 1 | 10B | 137 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | A Minor | 1 | 8A | 88 BPM | ||
| String Quartet in G Minor, Op. 27: III. Intermezzo. Allegro molto marcato - Allegro agitato (Arr. R. Tognetti for string orchestra) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | F Major | 0 | 7B | 92 BPM | ||
| Invention in F Major Variation (After Invention in F Major, BWV 779) [Arr. for Violin & String Quintet by Jan-Peter Klöpfel] | Johann Sebastian Bach, Jan-Peter Klöpfel, Eldbjørg Hemsing, Norwegian String Quintet | D Major | 2 | 10B | 179 BPM | ||
| Cublai, gran kan de' Tartar Overture | Antonio Salieri, Matthias Bamert, London Mozart Players | D Major | 2 | 10B | 88 BPM | ||
| カプリオール組曲: IV. Bransles | Peter Warlock, 石田組 | G Minor | 4 | 6A | 157 BPM | ||
| Pirogov Suite, Op. 76a (Arr. L. Atovmyan for Orchestra): V. Finale | Dmitri Shostakovich, Bolshoi Theatre Orchestra, Maxim Shostakovich | E♭ Major | 2 | 5B | 107 BPM | ||
| Pantomime: Vivace | Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones | G Minor | 2 | 6A | 113 BPM | ||
| 8 Slavonic Dances, Op. 46, B.83: No. 3 in A Flat Major (Poco allegro) | Antonín Dvořák, Czech Philharmonic, Jiří Bělohlávek | A♭ Major | 1 | 4B | 98 BPM | ||
| Violin Concerto in D Minor, MWV O 3: I. Allegro | Felix Mendelssohn, Tianwa Wang, Sinfonia Finlandia Jyvaskyla, Patrick Gallois | D Minor | 1 | 7A | 140 BPM | ||
| Pelléas and Mélisande: VII. La chasse commence - Live | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B♭ Major | 1 | 6B | 71 BPM | ||
| Carmen Ballet Suite (after Bizet): II. Dance | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | D Major | 4 | 10B | 124 BPM | ||
| Serenade No. 1 in D Major, Op. 11: IVb. Menuetto II | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | G Minor | 0 | 6A | 99 BPM | ||
| Swan Lake, Op. 20: Scene by a Lake | Pyotr Ilyich Tchaikovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | E Minor | 2 | 9A | 169 BPM | ||
| Radiant Moments | Veridia | D Major | 2 | 10B | 179 BPM | ||
| The Wolf and the Seven Young Goats: IV. Big Bad Wolf | Alexander Litvinovsky, Pavel Lyubomudrov, Metamorphose String Orchestra, Alexey Lundin, Halidon | A Major | 1 | 11B | 87 BPM | ||
| Vittoria O Disfatta | Gangli | B♭ Minor | 2 | 3A | 100 BPM | ||
| Symphony in G Minor, Bryan g1: I. Allegro moderato | Johann Baptist Vanhal, Munich Radio Orchestra, Ivan Repušić | B♭ Major | 1 | 6B | 82 BPM | ||
| Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
| Piano Concerto No. 12 in A Major, K. 414: III. Rondeau. Allegretto | Wolfgang Amadeus Mozart, Saskia Giorgini, TrondheimSolistene | A Major | 0 | 11B | 78 BPM | ||
| Xàfec de Llum I Tenebres: III. Quizás la Luz | Ramón Paus, Orquestra De Cambra Catalana, Joan Pàmies | D♭ Major | 0 | 3B | 79 BPM | ||
| Donausagen, Walzer, Op. 446 | Carl Michael Ziehrer, Wiener Philharmoniker, Yannick Nézet-Séguin | D Major | 2 | 10B | 179 BPM | ||
| Cello Sonata: II. — | Tamara Konstantin, Jiaxin Lloyd Webber | A Major | 0 | 11B | 70 BPM | ||
| Bassoon Concerto in F Major, WoO 23, S63: II. Romanza. Andantino e cantabile | Johann Nepomuk Hummel, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | E Minor | 0 | 9A | 77 BPM | ||
| Symphony in C Major, GB 115: III. Allegro vivace | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 116 BPM |