"Hidden in Plain Sight" by Richard Armstrong, Martin Nicholas Gratton, Intervox Music had its release date on July 1, 2020. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Hidden in Plain Sight's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 33 in Conspiracy by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Hidden in Plain Sight is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Hidden in Plain Sight by Richard Armstrong, Martin Nicholas Gratton, Intervox Music is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeur de Radio France | D Major | 1 | 10B | 101 BPM | ||
| Martha: M'appari | Friedrich von Flotow, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | F Major | 1 | 7B | 98 BPM | ||
| Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
| Rossini: Stabat Mater: X. Amen. In sempiterna saecula | Gioachino Rossini, Riccardo Muti, Agnes Baltsa, Catherine Malfitano, Coro del Maggio Musicale Fiorentino, Gwynne Howell, Robert Gambill, Orchestra del Maggio Musicale Fiorentino | C Minor | 5 | 5A | 76 BPM | ||
| Donizetti: Don Pasquale, Act 2: "Ah! È rimasto là impietrato" (Malatesta, Pasquale, Norina, Ernesto) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Leo Nucci, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | E Major | 2 | 12B | 75 BPM | ||
| Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | D Minor | 1 | 7A | 82 BPM | ||
| Ensnaring The Killer | Hilgrove Kenrick, Richard Armstrong, Chloe Evans | D♭ Major | 2 | 3B | 82 BPM | ||
| Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
| Faust: Il se fait tard! Adieu!.... | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | F Major | 0 | 7B | 85 BPM | ||
| Gounod: Faust, Act 3: "Les grands seigneurs ... Ah ! je ris de me voir si belle" (Marguerite) | Charles Gounod, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D Major | 1 | 10B | 100 BPM | ||
| Norma / Act 2 Scene 1: "Si, fino all’ore estreme" (Critical Ed. Maurizio Biondi and Riccardo Minasi) | Vincenzo Bellini, Cecilia Bartoli, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | F Major | 5 | 7B | 135 BPM | ||
| Ariadne on Naxos, Op. 60, TrV 228a, The Prologue: I can show them the secrets of the universe (Composer, Music Master) | Richard Strauss, Richard Armstrong, Scottish Chamber Orchestra, Alan Opie, Alice Coote | D Major | 0 | 10B | 84 BPM | ||
| Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
| I Puritani / Act 1: "A te, o cara" | Vincenzo Bellini, Luciano Pavarotti, Arleen Auger, Reid Bunger, Herbert Lackner, Vienna Opera Orchestra & Chorus, Nicola Rescigno | D Major | 3 | 10B | 78 BPM | ||
| Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
| Don Giovanni, K. 527, Act II Scene 10: Il mio tesoro intanto | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | F Major | 3 | 7B | 112 BPM | ||
| Un' Aura Amorosa | Luciano Pavarotti | E♭ Major | 1 | 5B | 117 BPM | ||
| Garden Grace | Hilgrove Kenrick, Richard Armstrong, Chloe Evans | A Major | 1 | 11B | 120 BPM | ||
| Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
| Flit Through The Trees | Hilgrove Kenrick, Richard Armstrong, Chloe Evans | D Major | 0 | 10B | 120 BPM | ||
| Donizetti: Don Pasquale, Act 3: "Tornami a dir che m'ami" (Norina, Ernesto) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Mirella Freni, Philharmonia Orchestra | A Major | 0 | 11B | 80 BPM | ||
| The Bohemian Girl - Arr. by Karel Mark Chichon: I Dreamt I Dwelt in Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM |