Max Reger, Marc-André Hamelin's 'Variations & Fugue on a Theme by Telemann, Op. 134: Var. 12, Poco vivace' had a release date set for January 1, 1999. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 46 in the song's album "Reger: Piano Music - Bach Variations, Telemann Variations etc.". In this album, this song's track order is #34. Furthermore, we believe that the track originated from United Kingdom. The popularity of Variations & Fugue on a Theme by Telemann, Op. 134: Var. 12, Poco vivace is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations & Fugue on a Theme by Telemann, Op. 134: Var. 12, Poco vivace by Max Reger, Marc-André Hamelin having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Panteón | Juan Pablo Fernández Ramos | D Major | 0 | 10B | 128 BPM | ||
| Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | B♭ Major | 2 | 6B | 88 BPM | ||
| Annelies: I. Introit - Prelude (Chamber Version) | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 88 BPM | ||
| Die Jahreszeiten, Hob. XXI:3, Der Sommer: VIa. Einleitung und Rezitativ: In grauem Schleier (Lukas, Simon) | Joseph Haydn, Gottfried van Swieten, Jordi Savall, Tilman Lichdi, Matthias Winckhler, Le Concert Des Nations | C Major | 1 | 8B | 170 BPM | ||
| Piano Trio in E Major, Hob. XV:34: II. Menuet - Trio | Joseph Haydn, Stefan Tarara, Eun-Sun Hong, Josu De Solaun | E Major | 0 | 12B | 134 BPM | ||
| Trumpet Sonata: II. Adagio molto cantabile | Karl Pilss, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | E♭ Major | 0 | 5B | 139 BPM | ||
| On the Overgrown Path, Book 1, JW VIII/17: No. 2, A Blown Away Leaf | Leoš Janáček, William Howard | D♭ Major | 0 | 3B | 72 BPM | ||
| Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 14. Con moto | Max Reger, Marc-André Hamelin | E♭ Major | 0 | 5B | 92 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Symphony No. 1, GMW 11: IIIc. Sehr einfach und schlicht wie eine Volksweise | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| 8 Nocturnes romantiques de différents caractères, Op. 604: No. 8, La joie | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
| Fauré: Requiem, Op. 48: I. Introït et Kyrie | Gabriel Fauré, Arleen Auger, Benjamin Luxon, John Butt, Choir of King's College, Cambridge, English Chamber Orchestra, Philip Ledger | B♭ Major | 0 | 6B | 76 BPM | ||
| Das Jahr, 12 Characterstucke: No. 5, May | Fanny Mendelssohn, Els Biesemans | A Major | 1 | 11B | 97 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | E♭ Major | 0 | 5B | 139 BPM | ||
| Lauda Sion, Op. 73: I. Lauda Sion Salvatorem | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius | A Major | 1 | 11B | 135 BPM | ||
| Psalm 42, Op. 42: IV. Coro "Was betrübst Du Dich" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius | F Major | 0 | 7B | 86 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | E♭ Major | 0 | 5B | 139 BPM | ||
| Here is the little door | Howard Howells, Choir of Clare College, Cambridge, Graham Ross | A Minor | 1 | 8A | 69 BPM | ||
| Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
| Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
| Missa Circumcisionis, ZWV 11: Et incarnatus est – Crucifixus | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | E♭ Major | 0 | 5B | 139 BPM | ||
| Dona nobis pacem: The Angel of Death has been abroad | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | F Major | 2 | 7B | 88 BPM | ||
| Lauda Sion, Op. 73: II. Laudis thema specialis | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | B♭ Major | 2 | 6B | 88 BPM | ||
| Geistliche Chöre, Op. 69: Nr. 3 Abendlied | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | F Major | 0 | 7B | 136 BPM | ||
| Air à danser, Op. 164 | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 67 BPM |