Like Moths To Flames's 'Trophy Child' had a release date set for November 7, 2011. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Trophy Child's duration is considered a little bit shorter than the average duration of a typical track. This song is part of When We Don't Exist by Like Moths To Flames. The song's track number on the album is #7 out of 11 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Trophy Child is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Trophy Child by Like Moths To Flames has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Trophy Child being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hollow King (Sound of the End) | Fit For A King | F♯ Major | 10 | 2B | 139 BPM | ||
| Nothing Left To Lose But The Chains | Half Me | B Minor | 9 | 10A | 150 BPM | ||
| Older Days | Resolve, ten56., Paleface Swiss | F Minor | 9 | 4A | 143 BPM | ||
| Ellie | Veil Of Maya | D♭ Minor | 10 | 12A | 120 BPM | ||
| Ameliorate | Like Moths To Flames | F♯ Major | 10 | 2B | 129 BPM | ||
| The Silence We Keep | What Lies Below | B Minor | 10 | 10A | 110 BPM | ||
| Darker | What Lies Below | E♭ Major | 9 | 5B | 160 BPM | ||
| Landslide | Kingdom Of Giants | D Minor | 9 | 7A | 156 BPM | ||
| Vahle | Volumes | D♭ Major | 10 | 3B | 125 BPM | ||
| Shade Astray | Invent Animate | A♭ Major | 10 | 4B | 164 BPM | ||
| Crawl | Miss May I | G Minor | 9 | 6A | 135 BPM | ||
| Epitaph | Make Them Suffer | D Major | 9 | 10B | 145 BPM | ||
| Namesake | Catsclaw | F Minor | 10 | 4A | 125 BPM | ||
| Bury Your Pain | Like Moths To Flames | F♯ Major | 10 | 2B | 130 BPM | ||
| Devilcry | Crystal Lake | G Minor | 10 | 6A | 143 BPM | ||
| Bleed Together | Miss May I | E♭ Major | 9 | 5B | 145 BPM | ||
| Castle in the Clouds | The Wise Man's Fear | F Minor | 10 | 4A | 160 BPM | ||
| Unreasonable Doubt | 156/Silence | B Minor | 10 | 10A | 93 BPM | ||
| Scars On A Soul | Boundaries | A♭ Major | 10 | 4B | 180 BPM | ||
| Metamorph | Oceans Ate Alaska | G Minor | 10 | 6A | 135 BPM | ||
| The Lines | Beartooth | D♭ Major | 10 | 3B | 108 BPM | ||
| Tower of Pain | Fit For A King | A♭ Minor | 5 | 1A | 140 BPM | ||
| A Damn Moment | This Or The Apocalypse | E♭ Minor | 10 | 2A | 129 BPM | ||
| Wraith | Half Me | D♭ Major | 10 | 3B | 105 BPM | ||
| Spirit Breaker | LIMBS | E Minor | 10 | 9A | 75 BPM |