On January 1, 1999, the song "John Shaft" was released by Sammy Davis Jr.. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sammy Davis Jr.'s "Mr. Bojangles" album is number 8 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, John Shaft's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of John Shaft by Sammy Davis Jr. to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| That's All | Mel Tormé | C Major | 2 | 8B | 184 BPM | ||
| It Had to Be You | Ray Charles | E♭ Major | 2 | 5B | 83 BPM | ||
| Manhattan | Lee Wiley | B♭ Minor | 1 | 3A | 90 BPM | ||
| Something's Gotta Give | The McGuire Sisters | B♭ Major | 3 | 6B | 128 BPM | ||
| Putting on the Ritz | Mel Tormé | F♯ Major | 2 | 2B | 145 BPM | ||
| Murder, He Says | Dinah Shore | G Minor | 2 | 6A | 166 BPM | ||
| Days of Wine and Roses | Billy Eckstine | A♭ Major | 2 | 4B | 86 BPM | ||
| Don't Know You - Digitally Mastered 1988 | Della Reese | E♭ Major | 4 | 5B | 92 BPM | ||
| Blue Skies | Frank Sinatra, Tommy Dorsey Orchestra | A Minor | 3 | 8A | 128 BPM | ||
| How High The Moon - Remastered 2001 | June Christy | F Minor | 3 | 4A | 113 BPM | ||
| Bring Your Darling Daughter | The Cast Of 'The Gay Life', Jules Munshin | G Major | 5 | 9B | 71 BPM | ||
| Somewhere There's a Someone | Dean Martin | G Major | 5 | 9B | 108 BPM | ||
| Smile - Mono / 1954 Version / Remastered 1992 | Nat King Cole | A♭ Major | 1 | 4B | 82 BPM | ||
| Hello, Dolly! - 2001 Remaster | Bobby Darin | F♯ Major | 4 | 2B | 161 BPM | ||
| Dreamboat | Lou Monte | G Minor | 4 | 6A | 151 BPM | ||
| The Joker | Sammy Davis Jr. | D♭ Major | 4 | 3B | 114 BPM | ||
| Till I Waltz Again With You | Teresa Brewer | D Major | 2 | 10B | 87 BPM | ||
| They Didn't Believe Me | Ernestine Anderson | D♭ Major | 3 | 3B | 133 BPM | ||
| What a Difference a Day Makes | Frank Sinatra Jr. | F Major | 3 | 7B | 110 BPM | ||
| I'm Afraid the Masquerade Is Over | Frank Sinatra Jr. | C Major | 4 | 8B | 141 BPM | ||
| Boo Hoo | Guy Lombardo | C Major | 2 | 8B | 180 BPM | ||
| Frankie And Johnnie | Sammy Davis Jr. | A♭ Major | 3 | 4B | 120 BPM | ||
| Tell Me Why | The Four Aces | G Minor | 2 | 6A | 166 BPM | ||
| Tip Toe Through The Tulips With Me | The McGuire Sisters | B♭ Major | 3 | 6B | 112 BPM | ||
| The Breeze and I | Jimmy Dorsey & His Orchestra | G Minor | 2 | 6A | 166 BPM |