DaysEye's 'Damage' had a release date set for June 6, 2025. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Damage's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Damage and no other songs are present in the album, we classify this track as a single. The popularity of Damage is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Damage by DaysEye is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Empty Bottles | Weekend Picnic | F♯ Major | 10 | 2B | 165 BPM | ||
| The Divide | End of All | A♭ Major | 9 | 4B | 146 BPM | ||
| Tired of Waiting | Telling Secrets | D Minor | 10 | 7A | 162 BPM | ||
| Trapped | Beyond Awareness | E Minor | 9 | 9A | 135 BPM | ||
| Eternally | OHKAYA | D Minor | 9 | 7A | 158 BPM | ||
| Buried in Silence | Operator | D♭ Minor | 8 | 12A | 95 BPM | ||
| MESS I MAKE | Fivefold, KG Lillian | D Major | 9 | 10B | 153 BPM | ||
| What I Fear The Most | Normundy | F♯ Major | 10 | 2B | 89 BPM | ||
| Standoff | Carbonstone, Jonny Santos of Spineshank | A Minor | 9 | 8A | 121 BPM | ||
| Hell And Back | ANTITYPE | B Minor | 5 | 10A | 53 BPM | ||
| Lifeline | Beyond Awareness | B♭ Minor | 9 | 3A | 172 BPM | ||
| The Introduction | DaysEye | B♭ Minor | 5 | 3A | 124 BPM | ||
| Prey Upon the Innocent | Weller | D♭ Minor | 10 | 12A | 150 BPM | ||
| Home | Off Lights | D Major | 9 | 10B | 140 BPM | ||
| My Armor | Matt Sassano | G Minor | 9 | 6A | 102 BPM | ||
| Talking To Myself | Major Moment | D♭ Major | 5 | 3B | 120 BPM | ||
| Hate Being Human | Dark Below | F♯ Major | 9 | 2B | 172 BPM | ||
| gHost | Let Me Bleed | E Minor | 8 | 9A | 175 BPM | ||
| Through The Dark | Silence The Echo | A♭ Minor | 9 | 1A | 119 BPM | ||
| When I Close My Eyes | We Are the Catalyst | D Minor | 7 | 7A | 109 BPM | ||
| Toxic | Major Moment | F Minor | 8 | 4A | 111 BPM | ||
| Tomorrow's Light | TheKon | A♭ Major | 6 | 4B | 180 BPM | ||
| Darker | Solely Veil | F♯ Minor | 8 | 11A | 102 BPM | ||
| Not Alone | Silver End | D♭ Minor | 9 | 12A | 130 BPM | ||
| DIGITAL VOID | Hangover Carousel | D♭ Minor | 6 | 12A | 155 BPM |