- BPM
- 94
- Key
- F♯ Major
- Camelot
- 2B
Turning 40 (Cissy) by George Gordon Song Details
George Gordon's ' "Turning 40 (Cissy)" was released on its scheduled release date, October 9, 2018. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Your Good Friend by George Gordon. The song's track number on the album is #3 out of 19 tracks. In terms of popularity, Turning 40 (Cissy) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
Since Turning 40 (Cissy) by George Gordon has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Turning 40 (Cissy) being at 94 BPM, the half-time would be 47 BPM with a double-time of 188 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
Music Key
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -17.136 dB
- Acousticness
- 76%
- Danceability
- 60%
- Energy
- 36%
- Instrumentalness
- 0%
- Liveness
- 68%
- Loudness
- 71%
- Speechiness
- 88%
- Valence
- 66%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 交響詩「英雄の生涯」Op. 40, TrV 190: I. 英雄 | リヒャルト・シュトラウス, 沖澤のどか, 京都市交響楽団 | E Major | 0 | 12B | 75 BPM | |
 | La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | |
 | Wagner: Lohengrin, Act 1: "Seht hin! Sie naht, die hart Beklagte!" (Chor, König Heinrich, Elsa) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow, Chor der Deutschen Oper Berlin, Karl Ridderbusch | G Major | 2 | 9B | 74 BPM | |
 | Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | |
 | Bellini: I puritani: "Vien, diletto, è in ciel la luna" (Elvira, Riccardo, Giorgio) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | The Dream of Gerontius, Op. 38, Part II: No. 8, The mind bold and independent (Demons) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | |
 | 3 Hymnen von Friedrich Hölderlin, Op. 71, TrV 240: No. 1, Hymne an die Liebe | Richard Strauss, Soile Isokoski, Helsinki Philharmonic Orchestra, Okko Kamu | C Major | 2 | 8B | 122 BPM | |
 | Paulus: I. Teil: Nr. 13 Rezitativ mit Chor TB "Und als er auf dem Wege war" | Felix Mendelssohn, Collegium Vocale Gent, Matthias Goerne, La Chapelle Royale, Philippe Herreweghe, James Taylor | D Major | 0 | 10B | 170 BPM | |
 | Falstaff, Act II: E sogno o realtà? | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | |
 | Tosca, Act I: Mario! Mario! Mario! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | |
 | Intro (Mom) | George Gordon | F Minor | 5 | 4A | 123 BPM | |
 | Drei Hymnen von Walt Whitman, Op. 14: No. 1, Der ich, in Zwischenräumen, in Äonen und Äonen wiederkehre | Paul Hindemith, Florian Störtz, Aleksandra Myslek | G Major | 2 | 9B | 74 BPM | |
 | 6 Lieder für eine Frauenstimme (2006 Digital Remaster): Wiegenlied im Sommer (wds. Reinick) | Hugo Wolf, Elisabeth Schwarzkopf, Gerald Moore | F Major | 0 | 7B | 159 BPM | |
 | Simon Boccanegra / Prologue: Oh, de'Fieschi implacata, orrida razza (Simone, Fiesco, Paolo, Pietro, Coro) | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A Minor | 3 | 8A | 102 BPM | |
 | Wagner: Lohengrin, Act 2: "O König! Trugbeörte Fürsten! Haltet ein!" (Frederick, Henry, Lohengrin, Ortrud, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Deborah Polaski, Falk Struckmann, Peter Seiffert, René Pape, Staatskapelle Berlin | A♭ Major | 3 | 4B | 106 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | |
 | Salome, Op. 54 / Scene 4: "Wo ist Salome?" | Richard Strauss, Leonie Rysanek, Horst Hiestermann, William Murray, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D Major | 1 | 10B | 104 BPM | |
| Tosca, Act I: Eccellenza, vado? – Gente là dentro! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Giorgi Manoshvili, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | |
 | The Rose Of No Man’s Land | George Gordon, Robert Bruce | E♭ Major | 2 | 5B | 84 BPM | |
 | Puccini: Turandot, Act 1: "Ah! per l'ultima volta!" (Timur, Liù, Coro, Calaf, Ping) | Giacomo Puccini, Francesco Molinari-Pradelli, Bonaldo Giaiotti, Coro Del Teatro Dell'Opera Di Roma, Franco Corelli, Franco Ricciardi, Giuseppe Morresi, Guido Mazzini, Piero de Palma, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Minor | 5 | 2A | 94 BPM | |
| Paulus: I. Teil: Nr. 20 Rezitativ ST "Und Ananias ging hin" | Felix Mendelssohn, James Taylor, Philippe Herreweghe, Melanie Diener | D♭ Minor | 4 | 12A | 146 BPM | |
| Salome, Op. 54 / Scene 3: "Wird dir nicht bange, Tochter der Herodias?" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 2 | 9B | 95 BPM | |
 | Threni: De Elegia Tertia: II. Sensus spei | Igor Stravinsky, Cappella Amsterdam, Noord Nederlands Orkest, Daniel Reuss, Berit Norbakken, Marianne Beate Kielland, Guy Cutting, Thomas Walker, Tobias Berndt | G Major | 2 | 9B | 74 BPM | |
 | Verdi: Messa da Requiem: XIV. Hostias | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Daniela Barcellona, Julian Konstantinov, Roberto Alagna, Berliner Philharmoniker | C Minor | 1 | 5A | 76 BPM | |
 | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Infirma nostri corporis | Gustav Mahler, Barbara Kubiak, Izabella Kłosińska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Warsaw Philharmonic Choir, Polish Radio Choir, Cardinal Stefan Wyszynski University Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records