O. レスピーギ, 昭和音楽大学 昭和サクソフォーン・オーケストラ, 福本信太郎(指揮)'s 'Feste Romane Ⅰ. Circenses' had a release date set for February 25, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 10 in Feste Romane by 昭和音楽大学 昭和サクソフォーン・オーケストラ. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, Feste Romane Ⅰ. Circenses is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Feste Romane Ⅰ. Circenses by O. レスピーギ, 昭和音楽大学 昭和サクソフォーン・オーケストラ, 福本信太郎(指揮) is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 交響詩《ローマの松》 IV. アッピア街道の松 | Ottorino Respighi, Andrea Battistoni, Tokyo Philharmonic Orchestra | B Major | 3 | 1B | 124 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| バレエ組曲「眠りの森の美女」 パ・ダクションーアダージョ | Berliner Philharmoniker, ニューフィルハーモニア管弦楽団 | B♭ Major | 2 | 6B | 113 BPM | ||
| Two Melodies, Op. 53, for string Orchestra: Det første møte (First Encounter). Lento | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | D Minor | 0 | 7A | 100 BPM | ||
| Japanese Suite, Op. 33, H. 126: VI. Finale. Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| 組曲 火の鳥, 序奏 (1919年版) | Igor Stravinsky, Vladimir Ashkenazy, Iceland Symphony Orchestra | D♭ Major | 0 | 3B | 65 BPM | ||
| リュートのための古風な舞曲とアリア 第3組曲 第3曲:シチリアーナ | Fumiaki Miyamoto, オーケストラMAP'S | A♭ Minor | 5 | 1A | 135 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (a) Presto - | Ludwig van Beethoven, Herbert von Karajan, Philharmonia Orchestra | C Minor | 1 | 5A | 111 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 5, The Quarrel | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | B Major | 0 | 1B | 130 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: IX. Auf der Alm | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | E♭ Major | 1 | 5B | 105 BPM | ||
| Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM | ||
| Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme" | Georges Bizet, Alexander Gibson, Scottish National Orchestra | B Major | 0 | 1B | 130 BPM | ||
| Childhood | Matt Milan | E Minor | 2 | 9A | 136 BPM | ||
| Oboe Concerto in C Major - Arr. Benjamin: 3. Siciliana | Domenico Cimarosa, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | A Minor | 0 | 8A | 169 BPM | ||
| Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 4. Horn Dance (from Bisztra) | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 1 | 10B | 170 BPM | ||
| Sinfonietta, Op. 79: I. Intrada. Festivo, tempo di marcia | Boris Papandopulo, I Solisti di Zagreb, Sreten Krstic | A♭ Major | 2 | 4B | 114 BPM | ||
| Roland Furieux: II. Andante tranquillo | Augusta Holmès, Michael Francis, Deutsche Staatsphilharmonie Rheinland-Pfalz | E♭ Major | 1 | 5B | 88 BPM | ||
| Cefeidas : 2. El Pensamiento crítico | Juan Pablo Fernández Ramos | B Major | 0 | 1B | 130 BPM | ||
| 組曲 展覧会の絵, 8. カタコンブ | Modest Mussorgsky, Maurice Ravel, Ken-Ichiro Kobayashi, The Arnhem Philharmonic Orchestra | F♯ Minor | 4 | 11A | 79 BPM | ||
| Raymonda, Act I: Scene 1. 1er Tableau (Lento maestoso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 1 | 5B | 81 BPM | ||
| Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): III. Bolero, "This is New" | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
| Sibelius: Symphony No. 1 in E Minor, Op. 39: II. Andante, ma non troppo lento | Jean Sibelius, Paavo Berglund, Helsinki Philharmonic Orchestra | C Major | 2 | 8B | 109 BPM | ||
| 6つの小品 作品31から 「メロディ」「伝説」 | O. レスピーギ, ウニドゥオ | D Major | 2 | 10B | 101 BPM | ||
| Villanelle for Horn and Orchestra | Paul Dukas, Hermann Baumann, Gewandhausorchester, Kurt Masur | C Major | 0 | 8B | 150 BPM |