"Finale - Act II" by Rise Stevens, Robert Merrill, Jo Sullivan, Sadie McCollum, Peter Palmer had its release date on March 6, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "The Chocolate Soldier (Studio Cast Recording)". In this album, this song's track order is #12. Finale - Act II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Finale - Act II by Rise Stevens, Robert Merrill, Jo Sullivan, Sadie McCollum, Peter Palmer having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il Trovatore / Act 2: "E deggio e posso crederlo?" | Giuseppe Verdi, Dame Joan Sutherland, Ingvar Wixell, Luciano Pavarotti, Norma Burrowes, Nicolai Ghiaurov, Graham Clark, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 3 | 4B | 137 BPM | ||
| I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
| Mignon: Mignon! - Monsieur! | Ambroise Thomas, James Melton, Lucielle Browning, Rise Stevens, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM | ||
| Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana) | Kiri Te Kanawa, Myung-Whun Chung | A♭ Major | 2 | 4B | 98 BPM | ||
| Bellini: I puritani: "Credeasi, misera, da me tradita" (Arturo, Elvira, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D♭ Major | 3 | 3B | 181 BPM | ||
| Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| I Whistle a Happy Tune | Rise Stevens, James Harvey | F Major | 3 | 7B | 101 BPM | ||
| Caro nome | Giuseppe Verdi, Montserrat Caballé, Gianfranco Masini, Orquesta Sinfónica de Barcelona | D Major | 5 | 10B | 120 BPM | ||
| Chapí: Las hijas del Zebedeo: "Carceleras" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | A Minor | 2 | 8A | 172 BPM | ||
| Puccini: Madama Butterfly, Act 1: "Vieni, amor mio!" (Pinkerton, Butterfly, Goro) | Giacomo Puccini, Sir John Barbirolli, Carlo Bergonzi, Piero de Palma, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma | D Minor | 1 | 7A | 117 BPM | ||
| Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act III: Aria: "Avvezza al contento" | Christoph Willibald Gluck, Pierre Monteux | A Major | 1 | 11B | 93 BPM | ||
| Gounod: Faust, Act 3: "Je voudrais bien savoir" - Chanson. "Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Don Giovanni, K. 527, Act II: Aria. Il mio tesoro intanto | Wolfgang Amadeus Mozart, Michael Spyres, Moscow Chamber Orchestra, Constantine Orbelian | B♭ Major | 1 | 6B | 100 BPM | ||
| Rigoletto / Act 1: "Questa o quella...Partite? Crudele!" | Giuseppe Verdi, Luciano Pavarotti, Kiri Te Kanawa, Sherrill Milnes, Riccardo Cassinelli, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 77 BPM | ||
| La Canción del Olvido: "Canción de Rosina: Canta el trovador" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Pilar Lorengar | E Minor | 1 | 9A | 111 BPM | ||
| Introduction / Summertime: Oh, I got plenty o' nuttin' | George Gershwin, Robert Merrill, Rise Stevens, Robert Shaw Chorale, RCA Victor Orchestra, Robert Russell Bennett | B♭ Major | 6 | 6B | 83 BPM | ||
| Carmen, Act II: Chanson bohème. Les tringles des sistres tintaient | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 106 BPM | ||
| Carmen, Act III: Air: Je dis que rien ne m'épouvante (Micaëla) | Georges Bizet, Inva Mula/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 0 | 9B | 73 BPM | ||
| Caballeria Rusticana: "Voi lo Sapete, o mamma" | Victoria de los Ángeles | E Minor | 2 | 9A | 87 BPM | ||
| Introduction / Summertime: Summertime | George Gershwin, Robert Merrill, Rise Stevens, Robert Shaw Chorale, RCA Victor Orchestra, Robert Russell Bennett | E♭ Minor | 1 | 2A | 180 BPM | ||
| Suor Angelica: Ho un desiderio anch'io! | Giacomo Puccini, Della Jones, Isobel Buchanan, Dame Joan Sutherland, Miriam Bowen, Janet Price, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act II: Scene I: Deh! Placatevi con me | Christoph Willibald Gluck, Pierre Monteux, Rome Opera Orchestra | E♭ Major | 2 | 5B | 65 BPM |