- BPM
- 101
- Key
- F Major
- Camelot
- 7B
I Whistle a Happy Tune by Rise Stevens, James Harvey Song Details
Rise Stevens, James Harvey's ' "I Whistle a Happy Tune" was released on its scheduled release date, August 29, 2006. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. I Whistle a Happy Tune's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The King and I (Music Theater of Lincoln Center Cast Recording (1964))". In this album, this song's track order is #2. In terms of popularity, I Whistle a Happy Tune is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
With I Whistle a Happy Tune by Rise Stevens, James Harvey having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -12.989 dB
- Acousticness
- 86%
- Danceability
- 56%
- Energy
- 29%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 78%
- Speechiness
- 12%
- Valence
- 63%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La fille du régiment, Act I: La la la – chacun le sait, chacun le dit | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 2 | 7B | 180 BPM | |
 | The Golden Cockerel: Hymn to the Sun | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | A Major | 2 | 11B | 70 BPM | |
 | Lucia di Lammermoor / Act 2: "Al ben de'tuoi qual vittima" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | |
 | Verdi: Rigoletto, Act 1 Scene 13: No. 6, Scene ed Aria, "Gualtier Maldè! … Caro nome che il mio cor" (Gilda) | Giuseppe Verdi, Dan Ettinger, Munich Radio Orchestra | E Major | 0 | 12B | 118 BPM | |
 | H.M.S. Pinafore / Act 1: Sorry her lot who loves too well | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 1 | 7B | 91 BPM | |
 | L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | |
 | Orfeo ed Euridice, Wq. 30: Act III: Recitativo: "Ecco novel tormento!" | Christoph Willibald Gluck, Pierre Monteux, Rome Opera Orchestra | A Major | 1 | 11B | 93 BPM | |
 | Samson and Delilah (Highlights): Act III, Scene I, "Vois ma misère" | Camille Saint-Saëns, Rise Stevens, Jan Peerce, Robert Merrill, Robert Shaw Chorale, NBC Symphony Orchestra, Leopold Stokowski | D Minor | 2 | 7A | 86 BPM | |
 | Don Pasquale, Act III Quinta Scena: Aspetta, aspetta, cara sposina (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | F Major | 3 | 7B | 84 BPM | |
 | Les Contes d'Hoffmann: Hélas! Mon coeur s'égare encore! | Jacques Offenbach, Richard Tucker, Martial Singher, Rise Stevens, Mildred Miller, Clifford Harvuot, Alessio De Paolis, Pierre Monteux | B♭ Major | 3 | 6B | 130 BPM | |
 | Otello: Assisa a’ piè d’un salice | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | |
 | Gounod: Faust, Act 3: "Je voudrais bien savoir" - Chanson. "Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | |
 | Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | |
 | Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | |
 | Pagliacci, Act I: Stridono lassù | Ruggero Leoncavallo, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | D Major | 1 | 10B | 86 BPM | |
 | Trionfo di Afrodite - Concerto scenico: VI. Song of the married couple in the wedding chamber | Carl Orff, Dagmar Schellenberger, Lothar Odinius, Lisa Larson, Eva Maria Nobäuer, Barbara Reiter, Robert Swenson, Franz Welser-Moest, Franz Welser-Möst, Muenchner Rundfunkorchester, Das Münchner Rundfunkorchester | B♭ Minor | 0 | 3A | 180 BPM | |
| Samson and Delilah (Highlights): Act III, Scene III, "Gloire à Dagon" | Camille Saint-Saëns, Rise Stevens, Jan Peerce, Robert Merrill, Robert Shaw Chorale, NBC Symphony Orchestra, Leopold Stokowski | D Minor | 2 | 7A | 86 BPM | |
 | Carmen: Quand je vous aimerai? . . . L'amour est un oiseau rebelle (Habanera) | Georges Bizet, Rise Stevens, Fritz Reiner | F♯ Major | 3 | 2B | 132 BPM | |
 | Le nozze di Figaro - Comic opera in four acts K492 (2000 Remastered Version): Finale (Allegretto): Amanti costanti (Due Donne/Chorus/Count/Figaro)...Recit: Andate, amici! (Count)...Chorus: Amati costanti | Wolfgang Amadeus Mozart, Franco Calabrese, Glyndebourne Chorus, Glyndebourne Festival Orchestra, Sesto Bruscantini, Vittorio Gui, Daniel McCoshan, Graziella Sciutti, Hugues Cuénod, Ian Wallace, Jeannette Sinclair, Monica Sinclair, Raymond Leppard, Rise Stevens, Sena Jurinac, Glyndebourne Festival Chorus, Peter Gellhorn | C Major | 1 | 8B | 136 BPM | |
 | Verdi: Otello: Atto Primo: Già nella notte densa | Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 82 BPM | |
 | Danny Boy (Old Irish Air) | Traditional, Rise Stevens | B♭ Major | 2 | 6B | 64 BPM | |
 | I Can't Do the Sum | Rise Stevens | B♭ Major | 2 | 6B | 64 BPM | |
 | The Mikado / Act 1: 20. Ye torrents roar! Ye tempests howl! | Arthur Sullivan, Valerie Masterson, Lyndsie Holland, Colin Wright, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 3 | 10B | 104 BPM | |
| The Mikado / Act 1: 17. Oh fool, that flee-est My hallow'd joys! | Arthur Sullivan, Peggy Ann Jones, Lyndsie Holland, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 1 | 8B | 169 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records