"Sanctuary Road: No. 3, Reward! (Live)" by Paul Moravec, Laquita Mitchell, Raehann Bryce-Davis, Joshua Blue, Malcolm J. Merriweather, Oratorio Society of New York Choir, Oratorio Society of New York Orchestra, Kent Tritle had its release date on January 10, 2020. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Sanctuary Road: No. 3, Reward! (Live)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Paul Moravec: Sanctuary Road (Live)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Sanctuary Road: No. 3, Reward! (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sanctuary Road: No. 3, Reward! (Live) by Paul Moravec, Laquita Mitchell, Raehann Bryce-Davis, Joshua Blue, Malcolm J. Merriweather, Oratorio Society of New York Choir, Oratorio Society of New York Orchestra, Kent Tritle having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tosca, Act I: Ah! Finalmente! | Giacomo Puccini, Giorgi Manoshvili, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | D Minor | 0 | 7A | 73 BPM | ||
| Concerto for Orchestra, BB 123, Sz. 116: IV. Intermezzo interrotto | Béla Bartók, Toronto Symphony Orchestra, Gustavo Gimeno | A♭ Major | 0 | 4B | 96 BPM | ||
| Messa di Requiem: Agnus dei | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | C Major | 0 | 8B | 90 BPM | ||
| Missa Circumcisionis, ZWV 11: Agnus Dei I | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | A♭ Major | 0 | 4B | 96 BPM | ||
| Simon Boccanegra: Prologo: Che dicesti (Paolo, Pietro, Simone, Coro) | Giuseppe Verdi, Mattia Olivieri, Andrea Pellegrini, Ludovic Tezier, Coro del Teatro di San Carlo di Napoli, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | A♭ Major | 0 | 4B | 96 BPM | ||
| Falla: Noches en los jardines de España: II. Danza lejana | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields, Tzimon Barto | A♭ Major | 0 | 4B | 96 BPM | ||
| Hänsel und Gretel: Abends will ich schlafen gehn | Engelbert Humperdinck, Hera Hyesang Park, Emily D'Angelo, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
| Berlioz: Harold en Italie, Op. 16, H. 68: III. Allegro assai - Allegretto (Sérénade d'un montagnard des Abruzzes à sa maîtresse) | Hector Berlioz, Leonard Bernstein, Orchestre National De France | C Major | 1 | 8B | 85 BPM | ||
| Te Deum, WAB 45: III. Aeterna fac cum sanctis tuis | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | B♭ Major | 4 | 6B | 64 BPM | ||
| Armida: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | D Major | 1 | 10B | 81 BPM | ||
| Wind Quintet: III. Quarter note = 72 | Paul Moravec, Marya Martin, John Snow, Jose Franch-Ballester, Peter Kolkay, Stewart Rose | C Major | 5 | 8B | 174 BPM | ||
| Sibelius: Symphony No. 6 in D Minor, Op. 104: IV. Allegro molto | Jean Sibelius, Herbert von Karajan, Berliner Philharmoniker | A♭ Major | 0 | 4B | 96 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: IVb-d. I Can No More – Rescue Him, O Lord – Novissima hora est | Edward Elgar, David Butt Philip, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | A♭ Major | 0 | 4B | 96 BPM | ||
| Pelléas et Mélisande Suite, Op. 80: II. Fileuse | Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 0 | 9B | 88 BPM | ||
| Stabat Mater, FP 148: IX. Sancta mater, istud agas | Francis Poulenc, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss | B♭ Minor | 2 | 3A | 89 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: III. Sostenuto. Like a Folk Tune | Erich Wolfgang Korngold, Calidore String Quartet | A♭ Major | 0 | 4B | 96 BPM | ||
| The Shining, Act II: Jack--are you here? | Paul Moravec, Lyric Opera of Kansas City, Gerard Schwarz, Edward Parks, Kelly Kaduce, Tristan Hallett | C Major | 4 | 8B | 83 BPM | ||
| Shostakovich: 7 Romances on Verses by Alexander Blok, Op. 127: IV. The City Sleeps | Dmitri Shostakovich, Galina Vishnevskaya, Ulf Hoelscher, Mstislav Rostropovich, Vasso Devetzi | F Major | 1 | 7B | 73 BPM | ||
| Chants sahariens, 5 poèmes touaregs: II La nuit passée | Maurice Jaubert, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude Bouveresse | D♭ Major | 0 | 3B | 82 BPM | ||
| Strauss, R: Ein Heldenleben, Op. 40: II. Des Helden Widersacher | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker, Guy Braunstein | E♭ Major | 0 | 5B | 83 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 2: XIII. Softly and Gently "Angel's Farewell" | Edward Elgar, Karen Cargill, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | A♭ Major | 0 | 4B | 96 BPM | ||
| Ein Heldenleben, Op. 40, TrV. 190: Des Helden Widersacher | Richard Strauss, Rainer Honeck, Wiener Philharmoniker, Christian Thielemann | F Minor | 0 | 4A | 124 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 5, The Quarrel | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | A♭ Major | 0 | 4B | 96 BPM | ||
| Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
| Messiaen: Fête des belles eaux: VIII. Feux d'artifice final | Olivier Messiaen, Jeanne Loriod, Sextuor Jeanne Loriod | B Major | 2 | 1B | 172 BPM |