"O túmulo de Villa-Lobos: 2. Ritual" by Fernando Lopes-Graça, Ensemble MPMP, Tatiana Rosa, Bethany Carmo, Miguel Costa, Armando Martins, Ricardo Santos had its release date on November 14, 2024. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. O túmulo de Villa-Lobos: 2. Ritual's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Fernando Lopes-Graça, Ensemble MPMP's "Lopes-Graça: Divertissement" album is number 13 out of 22. On top of that, Portugal appears to be the country where this track was created. O túmulo de Villa-Lobos: 2. Ritual is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O túmulo de Villa-Lobos: 2. Ritual by Fernando Lopes-Graça, Ensemble MPMP, Tatiana Rosa, Bethany Carmo, Miguel Costa, Armando Martins, Ricardo Santos to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Álbum do jovem pianista, LG 134: VII. Repouso | Fernando Lopes-Graça, Luís Duarte | D Major | 2 | 10B | 144 BPM | ||
| Lachrymae, Reflections on a song by John Dowland, Op. 48a (Version for Viola and String Orchestra): Lento | Benjamin Britten, Tabea Zimmermann, Ensemble Resonanz | E♭ Major | 0 | 5B | 78 BPM | ||
| Prière Et Procession | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner | D♭ Major | 0 | 3B | 78 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| 24 Preludes and Fugues Op. 87: No. 7, in A Major: Fugue | Dmitri Shostakovich, Yulianna Avdeeva | A Major | 0 | 11B | 80 BPM | ||
| Schubert's "Winterreise": No. 15, Die Krähe | Hans Zender, Franz Schubert, Aurora Orchestra, Nicholas Collon, Allan Clayton | E♭ Major | 1 | 5B | 74 BPM | ||
| Nocturno | Manuel de Falla, Javier Perianes | F Minor | 0 | 4A | 129 BPM | ||
| 6 Encores: No. 3, Wasserklavier | Luciano Berio, Sanna Vaarni | D♭ Major | 0 | 3B | 131 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | E♭ Major | 1 | 5B | 74 BPM | ||
| Images, Suite No. 3, Op. 35: I. Les ânesses grises sur la route d’El-Azib | Marcel Tournier, Emmanuel Ceysson, Quatuor Voce | G Minor | 0 | 6A | 135 BPM | ||
| 12 Nocturnes: No. 3, Nächtlicher Fluss | Bent Sørensen, Katrine Gislinge | E♭ Major | 1 | 5B | 74 BPM | ||
| Canto de Paz | Fernando Lopes-Graça, Carlos de Oliveira, Coral de Letras da Universidade do Porto | F Minor | 1 | 4A | 171 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | E♭ Major | 1 | 5B | 74 BPM | ||
| Entreveo | Daniel Ariño, Mercedes Gancedo | B Major | 1 | 1B | 73 BPM | ||
| Piano Quintet in B Minor, Op. 74: II. Larghetto | Ferdinand Ries, Klavierquintett Wien | C Minor | 4 | 5A | 136 BPM | ||
| Piano Suite No. 1 in G Minor, Op. 3 "Dans le style ancien": I. Prélude. Grave | George Enescu, Raluca Stirbat | G Minor | 0 | 6A | 69 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | E♭ Major | 1 | 5B | 74 BPM | ||
| Intermezzos, Op. 117: No. 1 in E-Flat Major. Andante moderato | Johannes Brahms, Garrick Ohlsson | A♭ Major | 0 | 4B | 138 BPM | ||
| 3 Mélodies, Op. 5: No. 3 in E-Flat Major, Andante soave | Fanny Mendelssohn, Pierpaola Porqueddu | E♭ Major | 1 | 5B | 74 BPM | ||
| Mãe pobre | Fernando Lopes-Graça, Carlos de Oliveira, Coral de Letras da Universidade do Porto | D Minor | 2 | 7A | 127 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | E♭ Major | 1 | 5B | 74 BPM | ||
| Ave Maria, CG 89a (After Prelude in C Major, BWV 846) [Version for Cello & Piano] | Charles Gounod, Johann Sebastian Bach, Steven Isserlis, Connie Shih | E♭ Major | 1 | 5B | 74 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: IId. Var. 3. Adagio | Alexander Scriabin, Julius Asal, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| On an Overgrown Path, JW VIII/17, Book 1: III. Come with Us | Leoš Janáček, Marc-André Hamelin | G Major | 0 | 9B | 68 BPM | ||
| Elegy No. 1 in F Minor | Milenna Jovic | F Major | 1 | 7B | 77 BPM |