Sam Mitchell's 'Dark Was The Night, Cold Was The Ground' had a release date set for January 1, 1991. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Dark Was The Night, Cold Was The Ground's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Art Of Bottleneck/Slide Guitar". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Dark Was The Night, Cold Was The Ground is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Dark Was The Night, Cold Was The Ground by Sam Mitchell having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Easy | Big Walter Horton | C Minor | 6 | 5A | 83 BPM | ||
| Nobody's Fault But Mine | Johnny Shines | A Major | 1 | 11B | 117 BPM | ||
| Flor de Retama y Dolor | Flor Huaracina | G Minor | 7 | 6A | 165 BPM | ||
| Big Six | Matt "Guitar" Murphy | A Major | 5 | 11B | 123 BPM | ||
| Well Well | Half Deaf Clatch | E♭ Major | 6 | 5B | 125 BPM | ||
| Tahn's Ballad | FunkBrother | C Major | 1 | 8B | 152 BPM | ||
| The Road Is So Long | Carey Bell, Lurrie Bell | A Major | 3 | 11B | 133 BPM | ||
| Dark Days (feat. Sam Mitchell) | CMAC, Sam Mitchell | E Minor | 9 | 9A | 170 BPM | ||
| Born Dead | J.B. Lenoir | B♭ Major | 1 | 6B | 82 BPM | ||
| (Baby, Let Me) Follow You Down | Sam Mitchell | A Major | 4 | 11B | 138 BPM | ||
| Don't Let the Devil Ride | Lurrie Bell | F Minor | 7 | 4A | 116 BPM | ||
| Sonny's Squall | Sonny Terry, Brownie McGhee | F Major | 5 | 7B | 126 BPM | ||
| What you want me to do | Homesick Mac, Sam Mitchell | D Major | 3 | 10B | 90 BPM | ||
| Louise McGhee | Son House | G Major | 1 | 9B | 66 BPM | ||
| Brownsville Blues | Stefan Grossman, Sam Mitchell, Jo Ann Kelly, Mike Cooper | G Major | 3 | 9B | 149 BPM | ||
| Dark Was The Night | Jack Rose | G Major | 4 | 9B | 79 BPM | ||
| Doux Séjour II | Gary O'Slide | A♭ Major | 2 | 4B | 99 BPM | ||
| Bayou Stomp | Manuel Galvin, Jean-Jacques Milteau | A Major | 4 | 11B | 77 BPM | ||
| Turtle Beach | Eric Von Schmidt | F Major | 1 | 7B | 96 BPM | ||
| Mose’s Blues | Eddie Pennington | D Major | 2 | 10B | 135 BPM | ||
| Singularity | Sam Mitchell | E♭ Major | 0 | 5B | 99 BPM | ||
| Raise a Little Hell | The EvenTunes | D♭ Major | 4 | 3B | 171 BPM | ||
| Cow Hooking Blues | Mississippi John Hurt | C Major | 3 | 8B | 103 BPM | ||
| Encore No. 1 - Live | Bert Jansch, Martin Jenkins, Sam Mitchell, Leo Wijnkamp Jr | D♭ Major | 5 | 3B | 99 BPM | ||
| Brand New Start | John Mayall | B♭ Minor | 4 | 3A | 75 BPM |