"Dark Was The Night" by Jack Rose had its release date on 2006. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jack Rose's "Jack Rose" album is number 7 out of 7. On top of that, United States appears to be the country where this track was created. Dark Was The Night is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dark Was The Night by Jack Rose to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Lark in the Morning | Junior Brother | G Major | 3 | 9B | 115 BPM | ||
| Cathedrals Et Fluer De Lis | Robbie Basho | A Major | 2 | 11B | 145 BPM | ||
| Dark Is the Night | Ry Cooder | A Major | 0 | 11B | 173 BPM | ||
| The Desert Is A Circle | Six Organs Of Admittance | A Minor | 4 | 8A | 151 BPM | ||
| It's Mercy We Need | Bob Brozman | E Major | 2 | 12B | 177 BPM | ||
| Flor de Retama y Dolor | Flor Huaracina | G Minor | 7 | 6A | 165 BPM | ||
| Dreams of Rhiannon's Birds | Gwenifer Raymond | A Major | 4 | 11B | 138 BPM | ||
| An Inquest Concerning Teeth | Earth | C Major | 2 | 8B | 144 BPM | ||
| We Can't Go Home Again | William Tyler | C Major | 3 | 8B | 107 BPM | ||
| Longing | FunkBrother | F Major | 0 | 7B | 106 BPM | ||
| Arrival of the Grand Picayune | Mark Fosson | C Minor | 3 | 5A | 108 BPM | ||
| Flirtin' With The Undertaker | Jack Rose | A Major | 5 | 11B | 100 BPM | ||
| Lonesome Traveler | Bill MacKay, Ryley Walker | A Major | 2 | 11B | 104 BPM | ||
| Levee | Jack Rose | F Major | 3 | 7B | 81 BPM | ||
| Hecate's Dream | Sir Richard Bishop | D Major | 2 | 10B | 68 BPM | ||
| Deep Blue Sea | Martin Simpson | A Major | 1 | 11B | 76 BPM | ||
| Black Mattie | Robert Belfour | D♭ Minor | 3 | 12A | 89 BPM | ||
| Something's Odd | FunkBrother | G Minor | 1 | 6A | 120 BPM | ||
| Deep Wish | Mason Lindahl | D Major | 5 | 10B | 72 BPM | ||
| Caught Behind the Hours | Jeffrey Silverstein | G Major | 2 | 9B | 101 BPM | ||
| Sagebrush Soul | Bobby Dee | F♯ Major | 1 | 2B | 85 BPM | ||
| Cross My Palm With Silver | Sir Richard Bishop | B♭ Minor | 4 | 3A | 102 BPM | ||
| Exilic Excursions | Nathan Salsburg | A Major | 2 | 11B | 136 BPM | ||
| Whispers | Loren Connors | D Major | 0 | 10B | 69 BPM | ||
| For the Broken Man | The EvenTunes | G Major | 3 | 9B | 96 BPM |