On July 15, 1957, the song "Guy's Got to Go" was released by Charlie Christian. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Guy's Got to Go's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 8 in Charlie Christian by Charlie Christian. The popularity of Guy's Got to Go is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Guy's Got to Go by Charlie Christian is Prestissimo (even faster than presto), since this song has a tempo of 203 BPM. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Get Around Much Anymore | Johnny Hodges, Billy Strayhorn | D♭ Major | 3 | 3B | 102 BPM | ||
| Jersey Jump Off | Cozy Cole | E♭ Major | 4 | 5B | 119 BPM | ||
| 05 Seven Come Eleven | Charlie Christian | C Minor | 4 | 5A | 163 BPM | ||
| Body and Soul | Jimmy Raney | F Major | 3 | 7B | 105 BPM | ||
| Burgundy Street Blues | George Lewis | D Minor | 2 | 7A | 79 BPM | ||
| Souvenirs | Jazz de Paris, Aime Barelli | E♭ Major | 4 | 5B | 96 BPM | ||
| Cosmic Rays | Charlie Parker Quartet | F Major | 2 | 7B | 132 BPM | ||
| He Ain't Got Rhythm | Jimmie Lunceford & His Orchestra | F Minor | 3 | 4A | 91 BPM | ||
| Solid Old Man | Django Reinhardt, Rex Stewart | A♭ Major | 1 | 4B | 90 BPM | ||
| Two Kinds of Blues | Jimmy Giuffre | G Major | 0 | 9B | 109 BPM | ||
| In a Mellotone - Remastered | Duke Ellington | D♭ Major | 3 | 3B | 127 BPM | ||
| Wild Man Blues - Alternate Take | Johnny Dodds | F Major | 3 | 7B | 105 BPM | ||
| Honeysuckle Rose | James P. Johnson | F Major | 3 | 7B | 105 BPM | ||
| I Like to Riff | Charlie Barnet | F Major | 3 | 7B | 105 BPM | ||
| Hotter Than 'ell | Fletcher Henderson | F Major | 5 | 7B | 142 BPM | ||
| Savoy Blues | Kid Ory's Creole Jazz Band | G Minor | 4 | 6A | 126 BPM | ||
| Greasy | Jackie McLean | E♭ Major | 3 | 5B | 79 BPM | ||
| There'll Be Some Changes Made | Dave Brubeck, Jimmy Rushing | C Major | 4 | 8B | 127 BPM | ||
| Early Mornin' Boogie | Slim Gaillard | F Major | 5 | 7B | 149 BPM | ||
| You'd Be So Nice To Come Home To - Rudy Van Gelder Edition; 2007 Digital Remaster | Paul Chambers | B♭ Major | 2 | 6B | 170 BPM | ||
| Four Brothers | Woody Herman | A♭ Major | 5 | 4B | 111 BPM | ||
| Rose Room | Charlie Christian | D♭ Major | 3 | 3B | 146 BPM | ||
| Non Stop Flight | Artie Shaw and His Orchestra | E♭ Major | 4 | 5B | 206 BPM | ||
| Low Down Blues | Bunk Johnson | F Major | 3 | 7B | 105 BPM | ||
| Scotchin' With Soda (12-01-45) | Slim Gaillard | G Minor | 3 | 6A | 157 BPM |