"Reflections on the Atomic Bomb: I. Quarter note = 112" by Peter Hatch, Anne-Marie Donovan, Tilly Prudom, Bruce Hildesheim, Deborah Stroh, Mike Polci, Christopher Sharpe, Paul Camrass, Beth Ann DeSousa, Terry Kroetsch, Carol Bauman, Lori West, Glenn Buhr had its release date on September 4, 2012. This song appears to be safe for all ages as it is not explicit. The track order of this song in Peter Hatch, Various Artists's "Mildred's Thoughts" album is number 5 out of 6. On top of that, United States appears to be the country where this track was created. In terms of popularity, Reflections on the Atomic Bomb: I. Quarter note = 112 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Reflections on the Atomic Bomb: I. Quarter note = 112 by Peter Hatch, Anne-Marie Donovan, Tilly Prudom, Bruce Hildesheim, Deborah Stroh, Mike Polci, Christopher Sharpe, Paul Camrass, Beth Ann DeSousa, Terry Kroetsch, Carol Bauman, Lori West, Glenn Buhr to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 7 Papillons: No. 6, — | Kaija Saariaho, Anssi Karttunen | A Minor | 2 | 8A | 137 BPM | ||
| Missa Brevis - II. Sanctus | Cello Octet Amsterdam | C Major | 0 | 8B | 96 BPM | ||
| The Evergreen: I. Moss | Caroline Shaw, Attacca Quartet | C Major | 2 | 8B | 66 BPM | ||
| 1 - 16 | Cello Octet Amsterdam | F Major | 0 | 7B | 124 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM | ||
| Harpsichord Sonata No. 73: Allegro in D Major (arr. for Harp) | Antonio Soler, Godelieve Schrama | A Major | 1 | 11B | 94 BPM | ||
| Contact: III. Contact | Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang | G Major | 6 | 9B | 146 BPM | ||
| Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
| Passage | Meredith Monk, Allison Sniffin, Silvie Jensen, Katie Geissinger, Ellen Fisher, Ching Gonzalez, Theo Bleckmann, Sasha Bogdanowitsch | G Major | 0 | 9B | 143 BPM | ||
| Castillo Interior: Allegro [Fig. 11] | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| Totentanz | Meredith Monk, Bruce Brubaker, Ursula Oppens | A♭ Major | 1 | 4B | 111 BPM | ||
| I. Danza del Altiplano | Gabriela Lena Frank, ALIAS Chamber Ensemble | G Minor | 1 | 6A | 138 BPM | ||
| Les Eaux célestes: I. Tisser les nuages | Camille Pépin, Orchestre National De Lyon, Ben Glassberg | B Minor | 1 | 10A | 133 BPM | ||
| Lyric Suite: V. Presto delirando - Tenebroso | Alban Berg, Leonkoro Quartet | D Major | 1 | 10B | 72 BPM | ||
| The Town | Daniel Duque | D Major | 1 | 10B | 72 BPM | ||
| Shaker Loops: 4. A Final Shaking | John Adams, San Francisco Symphony, Edo de Waart | E Minor | 2 | 9A | 171 BPM | ||
| Room | nnnoah | A Minor | 0 | 8A | 130 BPM | ||
| I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
| String Quartet No. 2: I. Desesperado | Hermes Luaces, Cuarteto Breton | A Major | 1 | 11B | 116 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | D Major | 1 | 10B | 72 BPM | ||
| Galactic Silence | Astrid Voix | D Major | 1 | 10B | 72 BPM | ||
| Whispers of Peace | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| Somebody's Leg Man | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 1 | 5A | 116 BPM |