"Emperor Waltz" by Various World Reknowed Orchestras And Conductors had its release date on January 1, 2006. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. Emperor Waltz is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Emperor Waltz by Various World Reknowed Orchestras And Conductors is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Rivulet Of Truth | Danke Timi Briggs | G Minor | 2 | 6A | 121 BPM | ||
| Coppélia, Tableau 1: Prélude - Mazurka | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): II. Largo | Karoly Botvay | B♭ Major | 0 | 6B | 68 BPM | ||
| Morning Papers - Waltz Op. 279 | Johann Strauss II, Hallé, Bramwell Tovey | C Major | 1 | 8B | 99 BPM | ||
| Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante | Alexander Borodin, Borodin Quartet | F Major | 3 | 7B | 96 BPM | ||
| Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
| Scottish Rhapsody | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | D♭ Major | 2 | 3B | 142 BPM | ||
| Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM | ||
| Swan Lake | Various World Reknowed Orchestras And Conductors | F Minor | 3 | 4A | 81 BPM | ||
| Paquita: Variation 8: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 4 | 6B | 124 BPM | ||
| Raymonda, Act III: Grand Pas de Deux, Entree | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 3 | 10B | 84 BPM | ||
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | ||
| Giselle: Act II: Ensemble des Wilis | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 89 BPM | ||
| Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
| Two Melodies, Op. 53, for string Orchestra: Norsk (Norwegian). Allegro Risoluto | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | G Major | 1 | 9B | 102 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Second Intermezzo | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | B Major | 1 | 1B | 122 BPM | ||
| Guerra e pace (Film Music Suite): Andrea e Natascha | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 2 | 10B | 76 BPM | ||
| Carmen Ballet Suite (after Bizet): VII. Second Intermezzo | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | E Major | 1 | 12B | 120 BPM | ||
| The Skaters Waltz | The Manhattan Pops | A Major | 3 | 11B | 186 BPM | ||
| Giselle / Act 1: Introduction | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 0 | 10B | 73 BPM | ||
| Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
| 1812 Overture | Various World Reknowed Orchestras And Conductors | D Major | 4 | 10B | 84 BPM | ||
| Suite for Variety Orchestra: III. Dance No. 2 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Utah Symphony Orchestra, Maurice Abravanel | E Major | 0 | 12B | 73 BPM |