Philip Glass, Brooklyn Rider's 'Suite for "Bent" for String Quartet: II' had a release date set for March 1, 2011. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Suite for "Bent" for String Quartet: II's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 28 in Brooklyn Rider Plays Philip Glass by Philip Glass, Brooklyn Rider. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Suite for "Bent" for String Quartet: II is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite for "Bent" for String Quartet: II by Philip Glass, Brooklyn Rider is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Glenn Gould | A♭ Major | 0 | 4B | 123 BPM | ||
| Solveig's Song from Peer Gynt Suite No. 2, Op. 55 | BBC Scottish Symphony Orchestra | A Minor | 2 | 8A | 75 BPM | ||
| Still | Ola Gjeilo | C Major | 0 | 8B | 71 BPM | ||
| Went Missing | Nils Frahm | A♭ Minor | 0 | 1A | 120 BPM | ||
| Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
| Tabula Rasa: I. Ludus | Arvo Pärt, Jan Söderblom, Tero Latvala, Jouko Laivuori, Tapiola Sinfonietta, Jean-Jacques Kantorow | F Major | 3 | 7B | 92 BPM | ||
| Tales from the Loop | Philip Glass, Paul Leonard-Morgan | B Minor | 1 | 10A | 150 BPM | ||
| My Friend the Forest | Nils Frahm | A♭ Major | 0 | 4B | 83 BPM | ||
| Gnossiennes: No. 4 | Erik Satie, Reinbert de Leeuw | C Major | 0 | 8B | 73 BPM | ||
| 3 Gymnopédies: No. 1 | Erik Satie, Klara Kormendi | G Major | 0 | 9B | 101 BPM | ||
| Gnossiennes: No. 4 | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 71 BPM | ||
| Siciliana da Antiche Danze Ed Arie Suite III | Hanan Townshend | E♭ Major | 0 | 5B | 67 BPM | ||
| White Flowers Take Their Bath | Meredi, Mari Samuelsen, Scoring Berlin, Jonathan Stockhammer | A Major | 1 | 11B | 97 BPM | ||
| Emerald and Stone (Arr. Knoth) | Brian Eno, Jon Hopkins, Leo Abrahams, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer, Christian Badzura | B Major | 3 | 1B | 82 BPM | ||
| Biesy | Hania Rani | B♭ Minor | 1 | 3A | 140 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| Études: No. 6 | Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
| Jack Montparnasse | VITMAY | F♯ Major | 0 | 2B | 126 BPM | ||
| Often A Bird | Wim Mertens | D Major | 1 | 10B | 154 BPM | ||
| Tourbillon | Julia Kent | D Minor | 4 | 7A | 180 BPM | ||
| Akhnaten: Act I, Scene 3: Window of Appearances | Philip Glass, Dennis Russell Davies | A Minor | 2 | 8A | 129 BPM | ||
| No Cars Go | Maxence Cyrin | A♭ Major | 2 | 4B | 122 BPM | ||
| Evening of Roses (Arr. Hodge for Cello, Clarinet and Ensemble) | Josef Hadar, Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos | B♭ Major | 2 | 6B | 103 BPM | ||
| Fireflies | Philip Glass, Paul Leonard-Morgan | D Major | 0 | 10B | 73 BPM | ||
| The Hours | Philip Glass | G Minor | 1 | 6A | 104 BPM |