"Get Used to It" by Darren Korb had its release date on August 5, 2011. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 1 out of 22 in Bastion Original Soundtrack by Darren Korb. In terms of popularity, Get Used to It is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Get Used to It by Darren Korb is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zero-Two - Bonus Track, from "Kirby 64: The Crystal Shards" | GaMetal | A♭ Minor | 3 | 1A | 135 BPM | ||
| Commanding The Fury | Mikolai Stroinski | G Major | 8 | 9B | 90 BPM | ||
| Main Title | Glenn Stafford, StarCraft, Blizzard Entertainment | G Major | 4 | 9B | 125 BPM | ||
| Chips Ahoy Mateys | Big Giant Circles | G Minor | 10 | 6A | 130 BPM | ||
| The Fish and the Whale | A Shell In The Pit | A Minor | 3 | 8A | 57 BPM | ||
| Flush | Ridiculon | G Major | 4 | 9B | 184 BPM | ||
| Mass Effect 3: a Future For the Krogan/An End Once and For All | Sarah Covey, London Philharmonic Orchestra | E Minor | 1 | 9A | 78 BPM | ||
| Drive It! | Joel Schoch | D♭ Major | 3 | 3B | 148 BPM | ||
| Vagrant Song (Deep South) - Guitar Version | Ryan Ike | D Major | 3 | 10B | 140 BPM | ||
| Undead Man Walkin' | Chris Christodoulou, Christos Spirakis, Thanasi Moustogiannis | D♭ Minor | 4 | 12A | 180 BPM | ||
| For Blood, for Glory, for Honor | Jeremy Soule | C Minor | 5 | 5A | 150 BPM | ||
| Dust to Dust | Ryan Ike | G Major | 5 | 9B | 156 BPM | ||
| Soulsucker Blues | Ryan Ike, Akenya | A Minor | 5 | 8A | 124 BPM | ||
| The End Is Anguish | Ridiculon | G Minor | 7 | 6A | 67 BPM | ||
| Maenam (Jon Schatz remix) | Sieber, Kammen, Fulton and Schatz | G Major | 2 | 9B | 78 BPM | ||
| Nadir | Austin Wintory | C Major | 4 | 8B | 69 BPM | ||
| Castlevania Live | Czech Philharmonic Chamber Orchestra & Kuehn's Mixed Choir | D Minor | 5 | 7A | 105 BPM | ||
| Snake, Oh It's A Snake! | Ari Pulkkinen | A Minor | 8 | 8A | 95 BPM | ||
| Dam Interior | Cris Velasco, Sascha Dikiciyan | D♭ Major | 6 | 3B | 120 BPM | ||
| Game Over | Tim Wynn | D Major | 5 | 10B | 80 BPM | ||
| Watery Grave | Copilot Music + Sound | G Minor | 5 | 6A | 128 BPM | ||
| Dreamfall Theme | Leon Willett | A♭ Major | 2 | 4B | 68 BPM | ||
| Chimera | Disasterpeace | G Major | 4 | 9B | 112 BPM | ||
| Turret Wife Serenade | Aperture Science Psychoacoustic Laboratories | D Major | 8 | 10B | 90 BPM | ||
| The Spine (Instrumental) | Darren Korb | D♭ Major | 3 | 3B | 134 BPM |