The Narrative's ' "Hallelujah" was released on its scheduled release date, April 2, 2012. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 10 in B-Sides and Seasides by The Narrative. In terms of popularity, Hallelujah is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Hallelujah by The Narrative is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Let Them See You Cry | Manchester Orchestra | A Minor | 1 | 8A | 138 BPM | ||
| Scarlet Letter | Jule Vera | B Minor | 4 | 10A | 152 BPM | ||
| From Long Sleep | Abandoned Pools | B Major | 4 | 1B | 124 BPM | ||
| Come What May | The Scene Aesthetic | D♭ Major | 5 | 3B | 79 BPM | ||
| Second Place Victory | This Day & Age | D♭ Minor | 6 | 12A | 102 BPM | ||
| Run In The Front | Dear and the Headlights | D♭ Major | 5 | 3B | 90 BPM | ||
| A Year From Now | Across Five Aprils | D Major | 4 | 10B | 80 BPM | ||
| Tell Me I'm Wrong | The Morning Of | D Major | 9 | 10B | 122 BPM | ||
| New Anxieties | The Narrative | C Major | 6 | 8B | 109 BPM | ||
| Love Song Requiem | Trading Yesterday | F Major | 6 | 7B | 104 BPM | ||
| Hands On Deck | Waking Ashland | B Major | 5 | 1B | 78 BPM | ||
| I'm Afraid There's A Hole In My Brain | PlayRadioPlay! | B Major | 6 | 1B | 112 BPM | ||
| The War Against Ourselves | Sew Intricate | A Minor | 4 | 8A | 132 BPM | ||
| Alabama - EP Version | Paper Rival | A♭ Minor | 4 | 1A | 117 BPM | ||
| Heaven With You | Heirsound | D♭ Minor | 8 | 12A | 90 BPM | ||
| Empty Space | The Narrative | C Minor | 9 | 5A | 146 BPM | ||
| Jesus Camp | Now, Now | C Major | 2 | 8B | 104 BPM | ||
| Bella Disorder | Better Off | A Major | 4 | 11B | 119 BPM | ||
| Gone Away | SafetySuit | D Major | 5 | 10B | 118 BPM | ||
| After All That, It's Come to This (Featuring Amy Millan) | Amos The Transparent | E♭ Major | 5 | 5B | 152 BPM | ||
| Fade | The Narrative | F Major | 8 | 7B | 172 BPM | ||
| Tongue Tied | October Fall | E Major | 5 | 12B | 156 BPM | ||
| Mess | September Stories | D Minor | 7 | 7A | 107 BPM | ||
| Close That Door | Mansions | B Minor | 9 | 10A | 114 BPM | ||
| Madi Don't Leave | PlayRadioPlay! | D♭ Minor | 6 | 12A | 120 BPM |