On January 10, 1988, the song "Tum Sochti Ho Shayad" was released by Mohammed Aziz, Anuradha Paudwal. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Laxmikant–Pyarelal's "Hamara Khandan" album is number 6 out of 6. On top of that, India appears to be the country where this track was created. In terms of popularity, Tum Sochti Ho Shayad is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tum Sochti Ho Shayad by Mohammed Aziz, Anuradha Paudwal to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gar Khuda Rooth Jaye To Sajda Karun | Mano | E♭ Major | 7 | 5B | 139 BPM | ||
| Angna Aayenge Sanwariya | Deven Verma, Pamela Chopra | E Minor | 8 | 9A | 115 BPM | ||
| Dik Nei Disha Nei | Mrinal Bandopadhyay, Anuradha Paudwal | D Major | 1 | 10B | 51 BPM | ||
| Sultana Mera Naam Hai Sultana | Usha Mangeshkar | G Minor | 6 | 6A | 101 BPM | ||
| Oye Pape | Sapna Mukherjee, Sukhwinder Singh | C Major | 10 | 8B | 135 BPM | ||
| Kal Se Chhod Dunga Main Sharab | Mithun Chakraborty | F Minor | 7 | 4A | 113 BPM | ||
| Mujhse Puchh Mere Meet | Kishore Kumar, Laxmikant–Pyarelal | F Major | 5 | 7B | 151 BPM | ||
| O Mere Dil Ke Chain - Super Jhankar Beats | Hero And King Of Jhankar Studio, Kishore Kumar | A Minor | 7 | 8A | 113 BPM | ||
| Ruk Ja Sathi-Lata Mangeshkar | Anwar Hussain | E Major | 3 | 12B | 110 BPM | ||
| Par Mila | Shankar Mahadevan | C Major | 5 | 8B | 133 BPM | ||
| Maar Katari Mar Jaon - From "Mere Meharban" | Kumar Sanu, Mohammed Aziz | A♭ Minor | 5 | 1A | 77 BPM | ||
| Raj Kapoor Speaks And Awara Hoon Film - Awaara | Mukesh, Raj Kapoor | F♯ Minor | 5 | 11A | 176 BPM | ||
| Rimjhim Rimjhim Tan Pe Mere Pani | Anuradha Paudwal | D Minor | 6 | 7A | 168 BPM | ||
| Parody | Sapna Mukherjee, Sudesh Bhosle | A♭ Minor | 5 | 1A | 136 BPM | ||
| Do Baje Aankh Ladi - Jhankar | Udit Narayan, Vicky Mehta | G Minor | 8 | 6A | 148 BPM | ||
| Phudak Phudak Ke Na Chal | Usha Mangeshkar, Kishore Kumar | E♭ Minor | 5 | 2A | 108 BPM | ||
| Ek Raja Ek Rani | Mahendra Kapoor, Hemlata, Rekha Rao, Hussain Bloch | A♭ Major | 6 | 4B | 125 BPM | ||
| Main Kali Anaar Ki Meri Khatir Ho Gaya Halla | Runa Laila | B Minor | 8 | 10A | 109 BPM | ||
| Main Tera Rakhwala | S. P. Balasubrahmanyam | G Minor | 5 | 6A | 82 BPM | ||
| Tu Kahan Kahan Ye Bata | Vinod Rathod | G Minor | 7 | 6A | 125 BPM | ||
| Pyar Karna Nahin Aaya | Kishore Kumar, Kalyanji-Anandji | G Minor | 6 | 6A | 171 BPM | ||
| Bhool Jaa Mere Dil (Male Version) | Manohar | B♭ Major | 7 | 6B | 174 BPM | ||
| Kya Likhoon Kaise Likhoon - Pt. 1 | Hemlata | E Major | 3 | 12B | 172 BPM | ||
| Mere Vishnu Mere Devaa | Anuradha Paudwal, Mohammed Aziz | F♯ Major | 6 | 2B | 175 BPM | ||
| Aao Main Padha Doon Tumhein A.B.C. | Abhijeet, Sarika Kapoor | A♭ Major | 7 | 4B | 133 BPM |