On October 13, 2006, the song "Sai Ki Jyoti Se" was released by Ranjana, Anjali, Vishwanath. This song is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Sai Tu Hi Tu Hai". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Based on our statistics, Sai Ki Jyoti Se's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Sai Ki Jyoti Se by Ranjana, Anjali, Vishwanath having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mhane Bhi Bula Le Baba Thari Nagari Me | Mukesh Kumar | F Minor | 9 | 4A | 172 BPM | ||
| Mere Sai Kripa Nidhan | Ranjana, Anjali, Vishwanath | G Minor | 7 | 6A | 150 BPM | ||
| Picham Dhara Su Mhara Pirji Padhariya | Prakash Mali | B♭ Minor | 8 | 3A | 91 BPM | ||
| Bhala Kisi Ka Kar Na Sako Toh | Manoj Mishra | E Major | 9 | 12B | 87 BPM | ||
| Mishri Se Mitho Naam | Devi Neha Saraswat | D Minor | 6 | 7A | 130 BPM | ||
| Naar Meri Jyada Roothavau Chhod - Hindi | Radhe Shyam Kevat, Ranjana | B Minor | 8 | 10A | 136 BPM | ||
| Radhey Radhey Japo Chale Aayenge Bihari | Mridul Krishan Shastri | G Minor | 5 | 6A | 100 BPM | ||
| Raja Ji Khajanwa Deda | Pandit Gaurangi Gauri Ji | E♭ Minor | 9 | 2A | 96 BPM | ||
| Karein Bhagat hon aarti mai doi biriyan | Rakesh Tiwari | A♭ Major | 5 | 4B | 117 BPM | ||
| Baans Ki Basuriya | Vishnupriya Avi Ji | D Major | 8 | 10B | 83 BPM | ||
| Kenja Raja | Vikas Kudmate, Pandurang Meshram, Ranjana | B Major | 7 | 1B | 150 BPM | ||
| Bhaj Hare Krishna Jap Hare Krishna | Gufi Paintal | D♭ Major | 3 | 3B | 168 BPM | ||
| Sakhi ri mero RadhaRaman | Harinaam Das | F♯ Minor | 6 | 11A | 168 BPM | ||
| Tum Hi Mere Devta Ho | Morari Bapu | B♭ Major | 7 | 6B | 108 BPM | ||
| Har Pal Mere Jeevan Ka | Ranjana, Anjali, Vishwanath | A♭ Major | 7 | 4B | 134 BPM | ||
| Saraswati Chalisa | Vidhi Sharma | F♯ Minor | 6 | 11A | 168 BPM | ||
| Kirtan Ki Hai Raat Baba Aaj Thane Aano Hai | Mithlesh Sharma | A♭ Major | 6 | 4B | 153 BPM | ||
| Tenun Main Besharma Chhad Challi Aan | Suchet Bala, Ranjana, Ratnika Tiwari | F♯ Minor | 6 | 11A | 132 BPM | ||
| Pakad Lo Hath Banwari | Rekha Rao | D♭ Minor | 6 | 12A | 170 BPM | ||
| Babji Saadi Laaj Rakh Lo | Sohan Lal Saini, Balbir Takkhi, Ranjana, Paramjeet Sodhi, Parminder Pammi | B Minor | 8 | 10A | 136 BPM | ||
| Ekali Khadi Re Meera Bai Ekali Khadi | Radha Krishna Maharaj | F Minor | 7 | 4A | 79 BPM | ||
| Mori Maiya Ki Chunari | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Radhe Rani Ke Charan | Devi Neha Saraswat | G Minor | 8 | 6A | 83 BPM | ||
| Nazar Na Lag Jaye | Manoj Sharma Gwalior | A♭ Major | 9 | 4B | 167 BPM | ||
| Radhe Kon Se Punya Kiye Tune Hari Roj Tere Ghar Aate H | Swara Verma | F♯ Major | 8 | 2B | 90 BPM |