On October 13, 2006, the song "Mere Sai Kripa Nidhan" was released by Ranjana, Anjali, Vishwanath. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Sai Tu Hi Tu Hai". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Based on our statistics, Mere Sai Kripa Nidhan's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mere Sai Kripa Nidhan by Ranjana, Anjali, Vishwanath having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Madhurashtakam | Sonika Sharma Agarwal | D Minor | 6 | 7A | 92 BPM | ||
| Salasar Kai Mandir Main | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| Mera Koi Na Sahara Bin Tere Ghanshyam | Puran Shiva | D Major | 6 | 10B | 80 BPM | ||
| Shivashtak | Anjul Sharma | C Major | 5 | 8B | 83 BPM | ||
| Har Pal Mere Jeevan Ka | Ranjana, Anjali, Vishwanath | A♭ Major | 7 | 4B | 134 BPM | ||
| Deewana Hu Mahakal Ka | The Bundeli Artists | G Major | 8 | 9B | 90 BPM | ||
| Jara Der Thahro Ram Tamanna Yahi Hai - katha song | Dhirendra Shastri | D♭ Major | 6 | 3B | 133 BPM | ||
| Talwa Mar Ke Chabhiya Kahe Na Le Aila Raja Ji | Ranjana, Mohini Kumari Kushwaha | B Major | 9 | 1B | 180 BPM | ||
| Meri Charhdi Jawani | Sardool Sikander, Ranjana, Surinder Shinda, Balkar Sidhu, Manpreet Akhtar | F Minor | 7 | 4A | 90 BPM | ||
| Bari Varsi | Sarabjit, Suchet Bala, Ranjana, Ratnika Tiwari | E♭ Major | 5 | 5B | 87 BPM | ||
| Duniya Me Dev Hazaaro Hai Bajrangbali Ka Kya Kehna | The Bundeli Artists | F♯ Major | 6 | 2B | 131 BPM | ||
| He ri mai to prem deewani | Ayodhyadas Nimavat | A♭ Minor | 7 | 1A | 175 BPM | ||
| Bhaj Hare Krishna Jap Hare Krishna | Gufi Paintal | D♭ Major | 3 | 3B | 168 BPM | ||
| Sankat Mochan Naam Tiharo | Sarvesh Mishra | A Minor | 3 | 8A | 95 BPM | ||
| Ari Giriraj Vaas Me Paau | Sur Shyam Gaushala Rajendra Das ji Maharaj | F♯ Major | 4 | 2B | 90 BPM | ||
| Raja Ji Khajanwa Deda | Pandit Gaurangi Gauri Ji | E♭ Minor | 9 | 2A | 96 BPM | ||
| Teri Mand Mand Mushakniya Pe Balihar Raghav | Prakash Gandhi | D♭ Minor | 8 | 12A | 138 BPM | ||
| Nagari Ho Ayodhya Si | Roshani Pandey | D♭ Minor | 8 | 12A | 93 BPM | ||
| Dil Wali Sat | Arun Bhatia, Ranjana | B Minor | 7 | 10A | 92 BPM | ||
| Radhika Gori Se | The Bundeli Artists | F♯ Major | 8 | 2B | 88 BPM | ||
| Tere Charna ch Meri Ardass Baba | Sant Nirankari Mission, Sonu Anthak | E Major | 6 | 12B | 146 BPM | ||
| Nain Tere Maa | Hansraj Raghuwanshi | C Major | 9 | 8B | 76 BPM | ||
| Nand Ke Anand Bhayo | Radha Krishna Maharaj | D♭ Major | 9 | 3B | 172 BPM | ||
| Bankey Bihari Ki Aarti | Shri. Mridul Krishna Shastri, Kavita Krishnamurthy | D♭ Major | 6 | 3B | 95 BPM | ||
| Subah Sawere Leke Tera Naam Prabhu | Isha, Muskan, Shital, Annu, Manisha | A♭ Minor | 6 | 1A | 121 BPM |