Chris Levy's 'Save Me Now' had a release date set for July 29, 2009. This song is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Never Fear". In this album, this song's track order is #2. Save Me Now is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Save Me Now by Chris Levy having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Empty Road | Natalie Walker | B♭ Minor | 3 | 3A | 128 BPM | ||
| Together | The Kin | A Minor | 5 | 8A | 126 BPM | ||
| Be There | Howie Day | D♭ Major | 9 | 3B | 114 BPM | ||
| We Might As Well Be Strangers | Keane | F Major | 4 | 7B | 144 BPM | ||
| Ends With You | Chris Levy | B♭ Major | 8 | 6B | 176 BPM | ||
| Goodbye To You | Breaking Point | D Major | 8 | 10B | 162 BPM | ||
| Heaven | The Fire Theft | G Minor | 4 | 6A | 92 BPM | ||
| Redemption | The Strange Familiar | D Major | 5 | 10B | 150 BPM | ||
| Suffering | Satchel | D♭ Major | 5 | 3B | 130 BPM | ||
| Shining | Kristian Leontiou | E Minor | 8 | 9A | 101 BPM | ||
| When You Are Near | Carolina Liar | G Major | 6 | 9B | 171 BPM | ||
| Somebody Else | Bleu | D♭ Major | 7 | 3B | 135 BPM | ||
| Speakers | Days Difference | C Major | 7 | 8B | 116 BPM | ||
| Lie In The Sound | Trespassers William | A♭ Minor | 3 | 1A | 106 BPM | ||
| Mortal | Fractures | F♯ Minor | 4 | 11A | 74 BPM | ||
| Money Bags | Runaway Cab | B♭ Minor | 7 | 3A | 143 BPM | ||
| Hear You Breathing | Stuart Reid | C Minor | 3 | 5A | 136 BPM | ||
| So We’ll Drive | Matt Beckler | D Major | 7 | 10B | 120 BPM | ||
| Between | Courrier | A♭ Major | 5 | 4B | 146 BPM | ||
| One More Day | Vast | C Major | 10 | 8B | 114 BPM | ||
| Goodnight, Travel Well | The Killers | B Minor | 5 | 10A | 128 BPM | ||
| King of Yesterday | Jude | F Major | 7 | 7B | 172 BPM | ||
| Sparkle Me | Buffseeds | G Major | 8 | 9B | 126 BPM | ||
| Best Laid Plans | We The Living | D♭ Major | 4 | 3B | 106 BPM | ||
| Some Streets Lead Nowhere | Matthew Ryan | E♭ Major | 3 | 5B | 139 BPM |