"Te Deum: In Te, Domine, speravi" by Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet had its release date on June 7, 1999. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully's "Lully: Grand Motets, Vol. 1" album is number 6 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Te Deum: In Te, Domine, speravi is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te Deum: In Te, Domine, speravi by Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for 2 Trumpets in C Major, RV 537: I. Allegro | Antonio Vivaldi, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward Tarr | B Major | 2 | 1B | 111 BPM | ||
| Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
| Les Indes galantes, RCT 44, Nouvelle Entrée, Scène 6: "Forêts paisibles" (Zima & Adario, Choeur des Sauvages) | Jean-Philippe Rameau, Claron McFadden, Nicolas Rivenq, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 78 BPM | ||
| Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | E♭ Major | 1 | 5B | 168 BPM | ||
| Magnificat en sol mineur, RV 610: III. Et misericordia eius | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | A Minor | 2 | 8A | 127 BPM | ||
| Le Bourgeois Gentilhomme (1670): Marche pour la cérémonie des Turcs | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 4 | 11A | 82 BPM | ||
| King Arthur, or The British Worthy (1691): Second Music: I. Overture | Henry Purcell, The English Concert, Trevor Pinnock | D♭ Minor | 2 | 12A | 128 BPM | ||
| "Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 8 | 3B | 121 BPM | ||
| Overture For Viola D'amore & Orchestra in D Minor, GWV 426: II. Rondeau | Christoph Graupner, Les idées heureuses, Hélène Plouffe, Geneviève Soly | D♭ Minor | 1 | 12A | 121 BPM | ||
| V. Réjouissance | Georg Philipp Telemann, L'Orfeo Barockorchester, Carin van Heerden | F♯ Minor | 5 | 11A | 130 BPM | ||
| Mystery Sonata No. 2 "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | D Major | 2 | 10B | 94 BPM | ||
| Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5: V. Fanfarinette | Jean-Philippe Rameau, Mahan Esfahani | B♭ Minor | 3 | 3A | 94 BPM | ||
| Cavalli: La Rosinda, Act 3: "Vieni, vieni in questo seno" | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Minor | 0 | 6A | 98 BPM | ||
| Troisième livre: La Forqueray | Jacques Duphly, Christophe Rousset | E Minor | 5 | 9A | 105 BPM | ||
| Concerto grosso No. 5 in D Minor: II. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
| Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
| Psyche, Act I Scene 2: Ahi ch'indarno si torda (Grieving Woman, First Grieving Man, Second Grieving Man) | Jean-Baptiste Lully, Carolyn Sampson, Karina Gauvin, Aaron Sheehan, Colin Balzer, Amanda Forsythe, Mireille Lebel, Yulia van Doren, Olivier Laquerre, Jason McStoots, Matthew Shaw, Aaron Engebreth, Ricard Bordas, Teresa Wakim, Jose Lemos, Boston Early Music Festival Chorus, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs | B♭ Major | 2 | 6B | 171 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Irish Baroque Orchestra, Monica Huggett, Lisa Beznosiuk, Andreas Helm | F♯ Minor | 1 | 11A | 113 BPM | ||
| L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: III. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | D♭ Major | 3 | 3B | 120 BPM | ||
| Premier Concert: Menuet En Trio (Couperin) | François Couperin, Jordi Savall | G Major | 1 | 9B | 131 BPM | ||
| Suite de pièces de clavecin en ré mineur: Canaries | Dom André Laberge | A♭ Minor | 4 | 1A | 112 BPM | ||
| Concerto in D Minor, RV 565: IV. Andante e Spiccato | Alessandro Marcello, Concerto Italiano, Rinaldo Alessandrini | C Minor | 2 | 5A | 103 BPM | ||
| Armide Opera In 5 Acts With Prologue: Que l'éclat de son nom | Jean-Baptiste Lully, Céline Scheen, Goedele Heidbüchel, Musica Antiqua Köln, Reinhard Goebel, Ex Tempore | B Major | 3 | 1B | 180 BPM | ||
| Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM |