Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 by Samuel Barber, Milwaukee Symphony Orchestra, Philippe Entremont Song Details

"Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11" by Samuel Barber, Milwaukee Symphony Orchestra, Philippe Entremont had its release date on February 15, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 58 in CLASSICAL MUSIC FOR PEOPLE WHO HATE CLASSICAL MUSIC 4-CD SET by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 by Samuel Barber, Milwaukee Symphony Orchestra, Philippe Entremont is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Music Key

This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

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Popularity: 2%
Loudness: -28.182 dB
Acousticness: 93%
Danceability: 9%
Energy: 4%
Instrumentalness: 89%
Liveness: 10%
Loudness: 53%
Speechiness: 5%
Valence: 3%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Adagio for Strings, Op. 11	Samuel Barber, Janos Balint, Lajos Lencsés, Reinhold Friedrich, Budapest Strings, Béla Bánfalvi	B♭ Minor	0	3A	102 BPM
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto	Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux	C Minor	1	5A	75 BPM
String Quartet, Op. 11: II. Molto adagio	Samuel Barber, Ying Quartet	A Minor	0	8A	79 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM
2 Pieces, Op. 12: Dainele: Grave	Slovak Philharmonic, Mikalojus Konstantinas Čiurlionis	E Minor	0	9A	82 BPM
Consolations, S. 172: No. 3 in D-Flat Major. Lento placido	Franz Liszt, Jean-Yves Thibaudet	D♭ Major	0	3B	134 BPM
Come, Sweet Death	Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra	E Minor	1	9A	87 BPM
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria	Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin	B♭ Major	0	6B	78 BPM
Variations on an Original Theme, Op. 36, "Enigma": Enigma	Edward Elgar, Bournemouth Symphony Orchestra, George Hurst	C Major	5	8B	132 BPM
Moonlight	Mari Samuelsen	D♭ Minor	3	12A	85 BPM
Summer 2 - 2012	Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder	G Minor	2	6A	90 BPM
Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano)	Christoph Willibald Gluck, Yuja Wang	D Minor	0	7A	70 BPM
Orfeo ed Euridice, Wq. 30, Act II: Danse des champs-elysées "Mélodie" (Arr. for Piano by Ignaz Friedman)	Christoph Willibald Gluck, Joseph Banowetz	A Major	0	11B	72 BPM
String Quartet, Op. 11: II. Adagio	Samuel Barber, Quatuor Modigliani	B♭ Minor	1	3A	76 BPM
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air ("On a G String") [Transcr. L. Stokowski]	Johann Sebastian Bach, Bournemouth Symphony Orchestra, José Serebrier	D Major	1	10B	57 BPM
Madama Butterfly, Act II: Coro a bocca chiusa "Humming Chorus"	Giacomo Puccini, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan	B♭ Major	0	6B	78 BPM
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII	Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra	D♭ Major	1	3B	61 BPM
Violin Concerto: II. -	Philip Glass, Adele Anthony, Ulster Orchestra, Takuo Yuasa	C Minor	1	5A	82 BPM
Symphony No. 3, Op. 36: II. Lento e Largo - Tranquillissimo	Henryk Górecki, Dawn Upshaw, London Sinfonietta, David Zinman	B♭ Minor	1	3A	70 BPM
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto	Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner, Chicago Symphony Orchestra	E Major	0	12B	64 BPM
Concerto in D Minor, BWV 974: II. Adagio (Arr. for Cello and Piano by Mischa Maisky)	Johann Sebastian Bach, Mischa Maisky, Lily Maisky	B♭ Major	3	6B	139 BPM
Abodah (God's Worship) (Arr. Cello)	Ernest Bloch, Sheku Kanneh-Mason	B Minor	0	10A	134 BPM
Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave	Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra	A Minor	2	8A	78 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78	Felix Mendelssohn, Jan Lisiecki	G Minor	0	6A	168 BPM
Requiem, K. 626 (Ed. Beyer/Levin): I. Introitus. Requiem aeternam - Live	Wolfgang Amadeus Mozart, Karita Mattila, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen	G Minor	2	6A	95 BPM