"Mort de Rodolphe - Bande originale du film "Mayerling"" by Francis Lai, Christian Gaubert had its release date on July 11, 2025. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Nino Rota, Francis Lai, クリスチャン・ゴベール's "La Lecon Particuliere" album is number 30 out of 57. On top of that, France appears to be the country where this track was created. Based on our statistics, Mort de Rodolphe - Bande originale du film "Mayerling"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mort de Rodolphe - Bande originale du film "Mayerling" by Francis Lai, Christian Gaubert to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rosalie est partie | Philippe Sarde | B♭ Major | 0 | 6B | 0 BPM | ||
| Anónimo Veneciano - De: "Anónimo Veneciano" | Henry Salomon y su Orquesta | B♭ Major | 3 | 6B | 175 BPM | ||
| The Armstrongs | Justin Hurwitz | G Minor | 2 | 6A | 120 BPM | ||
| Prelude #4 in G, OP 28 | Jack Nitzsche | A Minor | 1 | 8A | 146 BPM | ||
| Emphasis | Stelvio Cipriani | D Minor | 6 | 7A | 90 BPM | ||
| Dushilka mayà | Nora Orlandi | A♭ Major | 4 | 4B | 90 BPM | ||
| Voices for Sadness Theme | Franco Micalizzi | C Minor | 3 | 5A | 75 BPM | ||
| Our Love | Percy Faith | D Major | 3 | 10B | 75 BPM | ||
| Scéne D'Amour | Sarah Brightman | D Major | 4 | 10B | 74 BPM | ||
| Mélissa (de "Bilitis") | Francis Lai | A Minor | 5 | 8A | 136 BPM | ||
| Quarantine | Justin Hurwitz | D♭ Minor | 0 | 12A | 90 BPM | ||
| Rondo in F Minor for Piano and Orchestra - "Kendall's Journey" | Nicholas Britell | D♭ Major | 2 | 3B | 74 BPM | ||
| Merry-Go-Round of Life From Howl's Moving Castle Trio | Suki's Cello, Tianle Hu, Qinyue He | A♭ Major | 4 | 4B | 140 BPM | ||
| A Mafia Story | Tom Samson, Nick Reeves | D Minor | 3 | 7A | 70 BPM | ||
| End Credits - "Action That" | Nicholas Britell | D♭ Major | 3 | 3B | 141 BPM | ||
| Uccidere in silenzio 1 | Nora Orlandi, Stelvio Cipriani | F Major | 1 | 7B | 63 BPM | ||
| La melancolie - From "Comme un Boomerang" | Georges Delerue | A Minor | 0 | 8A | 79 BPM | ||
| Rider on the Train | Francis Lai Orchestra, Francis Lai | D Minor | 4 | 7A | 89 BPM | ||
| Emmanuelle | Henry Salomon y su Orquesta | F Major | 6 | 7B | 123 BPM | ||
| Storm Rider - The Grand Duel: Parte Prima | Luis Bacalov | C Major | 1 | 8B | 84 BPM | ||
| Musica bionda | Nora Orlandi | F Minor | 0 | 4A | 95 BPM | ||
| Love Theme From Chinatown (Main Title) - From The "Chinatown" Soundtrack | Jerry Goldsmith | G Minor | 3 | 6A | 40 BPM | ||
| Motivo di Giorgia | Fred Bongusto | E♭ Major | 1 | 5B | 110 BPM | ||
| Love Feeling | Alessandro Alessandroni | G Major | 4 | 9B | 98 BPM | ||
| Song of Transference and End Credits | Junkie XL | G Minor | 2 | 6A | 84 BPM |