"Ode To Joyful" by Jon Batiste had its release date on November 15, 2024. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Ode To Joyful's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 11 in Beethoven Blues by Jon Batiste. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Ode To Joyful is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ode To Joyful by Jon Batiste is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teardrops | Cory Wong, Jon Batiste | G Major | 2 | 9B | 118 BPM | ||
| Delta | Florian Christl, Clara Büsel, Leandro Hauxwell, Alona Khlevna, Gereon Theis, Benedikt Wagner, Michael Neumann | A Minor | 3 | 8A | 137 BPM | ||
| Colors of Life | Laurent Dury | D Minor | 4 | 7A | 150 BPM | ||
| Skylark | Nora Germain, Jon Batiste | F Major | 2 | 7B | 173 BPM | ||
| refuge | Lara Somogyi, Jean-Michel Blais | D Minor | 1 | 7A | 101 BPM | ||
| Pathos - Theme | Ludovico Einaudi | F♯ Minor | 4 | 11A | 93 BPM | ||
| Bach, JS: Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (Transcr. Tharaud for Piano) | Johann Sebastian Bach, Alexandre Tharaud | F Minor | 1 | 4A | 78 BPM | ||
| Sumayra | Jon Batiste | C Major | 6 | 8B | 162 BPM | ||
| Glass (Arr. Knoth for Solo Violin, Piano & Strings) | Hania Rani, Mari Samuelsen, Julien Quentin, Scoring Berlin, Jonathan Stockhammer | D♭ Minor | 3 | 12A | 108 BPM | ||
| Beau soir, L. 84 | Claude Debussy, Pablo Ferrandez, Julien Quentin | D Minor | 1 | 7A | 109 BPM | ||
| Nocturne II - After Dawn | Hayato Sumino | E Major | 0 | 12B | 125 BPM | ||
| Arpeggio in D Minor, AbelWV A1:26 | Carl Friedrich Abel, Anja Lechner | D Major | 0 | 10B | 112 BPM | ||
| La fille aux cheveux de lin | Claude Debussy, Jeneba Kanneh-Mason | D Minor | 0 | 7A | 102 BPM | ||
| Cambridge 1963 (Arr. Knoth for Solo Violin & Ensemble) - From “The Theory of Everything“ | Jóhann Jóhannsson, Mari Samuelsen, Soyoung Yoon, Scoring Berlin, Jonathan Stockhammer | B♭ Major | 2 | 6B | 80 BPM | ||
| Cello Suite No. 1 | Taimane | D♭ Major | 2 | 3B | 139 BPM | ||
| Nocturne | Luca Sestak | E Minor | 0 | 9A | 102 BPM | ||
| Glacier National Park | The Piano Guys | E Major | 2 | 12B | 114 BPM | ||
| Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
| Contact: III. Contact | Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang | G Major | 6 | 9B | 146 BPM | ||
| Ave verum corpus, K. 618 - Arr. for Solo Piano by F. Liszt | Wolfgang Amadeus Mozart, Benedetta Iardella | A♭ Minor | 1 | 1A | 71 BPM | ||
| I Can Never Get Enough | Rikard From | G Major | 3 | 9B | 142 BPM | ||
| Shades of Leaving | Emil Brandqvist Trio | F Minor | 4 | 4A | 175 BPM | ||
| In the Night | Jon Batiste | E Minor | 2 | 9A | 181 BPM | ||
| The True Meaning Of Forever | Gabríel Ólafs | E♭ Major | 1 | 5B | 68 BPM | ||
| Mars | Colin Vallon, Patrice Moret, Julian Sartorius | A♭ Minor | 1 | 1A | 159 BPM |