"Between Attacks" by John Williams had its release date on June 24, 2000. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Between Attacks's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Williams's "Jaws (The Collector's Edition Soundtrack)" album is number 17 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Between Attacks is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Between Attacks by John Williams to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It All Starts Here | Dave Grusin | G Major | 3 | 9B | 53 BPM | ||
| Durant Is Dead - Score Version | John Barry | D Minor | 3 | 7A | 93 BPM | ||
| Cooper's Last Stand | Don Davis, John Williams, Various Artists | E Minor | 8 | 9A | 100 BPM | ||
| The Kiss | Nicholas Hooper | E♭ Major | 0 | 5B | 91 BPM | ||
| The Story Continues | Patrick Doyle | C Major | 3 | 8B | 124 BPM | ||
| Meet Osha | Michael Abels | F Minor | 1 | 4A | 143 BPM | ||
| Flying Pussy | Bruce Broughton | C Major | 1 | 8B | 83 BPM | ||
| The Divers | Thomas Newman | B Minor | 1 | 10A | 74 BPM | ||
| Fight to the End | Kevin Kiner | G Minor | 4 | 6A | 85 BPM | ||
| Eternity | Ennio Morricone | D Major | 1 | 10B | 142 BPM | ||
| Home Again: End Credits | Leonard Rosenman | C Major | 3 | 8B | 121 BPM | ||
| Bank Job | John Ottman | B Major | 4 | 1B | 141 BPM | ||
| Sneaky Mystique | John Ottman | A♭ Minor | 1 | 1A | 145 BPM | ||
| Retreat | Star Trek - First Contact | F Major | 2 | 7B | 128 BPM | ||
| Searching | Benjamin Wallfisch | B♭ Minor | 5 | 3A | 83 BPM | ||
| Every Thirty Years | Richard Bellis | A Minor | 1 | 8A | 70 BPM | ||
| Kara and Father | Nobuko Toda, Kazuma Jinnouchi | D Minor | 1 | 7A | 81 BPM | ||
| The Room of Requirements | Nicholas Hooper | C Major | 1 | 8B | 156 BPM | ||
| Eternas | Armonias | B♭ Major | 1 | 6B | 145 BPM | ||
| The Submarine / Joker Loots Gotham - From The Episode "The Last Laugh" | Shirley Walker | F♯ Major | 3 | 2B | 121 BPM | ||
| The Severnaya Suite (Part I: Among The Dead/Part II: Out Of Hell/Part III: The Husky Tribe) | Éric Serra | B♭ Major | 1 | 6B | 108 BPM | ||
| Trust No One (4M29) | John Powell | A Minor | 3 | 8A | 80 BPM | ||
| Krennic's Aspirations | Michael Giacchino | G Minor | 1 | 6A | 137 BPM | ||
| Robo Drives To Jones | Basil Poledouris | B♭ Minor | 2 | 3A | 103 BPM | ||
| The Raptors Appear - From "The Lost World: Jurassic Park" Soundtrack | John Williams | F Major | 5 | 7B | 137 BPM |