Gawain, Act II (1994 Revised Version): Castle de Hautdesert. Welcome, Welcome, Welcome [Live] by Harrison Birtwistle, John Tomlinson, Anne Howells, Marie Angel, Francois Le Roux, Orchestra Of The Royal Opera House, Elgar Howarth Song Details

"Gawain, Act II (1994 Revised Version): Castle de Hautdesert. Welcome, Welcome, Welcome [Live]" by Harrison Birtwistle, John Tomlinson, Anne Howells, Marie Angel, Francois Le Roux, Orchestra Of The Royal Opera House, Elgar Howarth had its release date on August 5, 2014. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Harrison Birtwistle, Orchestra Of The Royal Opera House, Elgar Howarth's "Harrison Birtwistle: Gawain (1994 Revised Version)" album is number 11 out of 65. On top of that, United Kingdom appears to be the country where this track was created. Gawain, Act II (1994 Revised Version): Castle de Hautdesert. Welcome, Welcome, Welcome [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Gawain, Act II (1994 Revised Version): Castle de Hautdesert. Welcome, Welcome, Welcome [Live] by Harrison Birtwistle, John Tomlinson, Anne Howells, Marie Angel, Francois Le Roux, Orchestra Of The Royal Opera House, Elgar Howarth to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -21.618 dB
Acousticness: 96%
Danceability: 16%
Energy: 22%
Instrumentalness: 21%
Liveness: 17%
Loudness: 64%
Speechiness: 9%
Valence: 4%

Recommendations

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Symphony No. 1 in E Major, Op. 26: II. Allegro dramatico	Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi	B♭ Minor	2	3A	86 BPM
Symphony No. 3: III. Allegro comodo — Allegro deciso	Allan Pettersson, Christian Lindberg, Norrköping Symphony Orchestra	G Major	2	9B	116 BPM
Inner Harmony	Rylandiaa	E Major	1	12B	100 BPM
Variations for Orchestra, Op. 31: Introduktion	Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko	C Major	1	8B	133 BPM
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Violin Concerto: III. Sonata	Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs	A♭ Major	2	4B	88 BPM
Mythes, Trois Poèmes, Op.30: 1. La fontaine d'Arethuse	Karol Szymanowski, Kaja Danczowska, Krystian Zimerman	A♭ Minor	0	1A	74 BPM
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The Miraculous Mandarin, Sz. 73: She Resists No Longer – They Embrace. Più mosso – Vivo	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	E♭ Major	0	5B	77 BPM
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Color Field: I. Yellow	Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop	G Major	1	9B	98 BPM
Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio	Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik	E♭ Minor	3	2A	60 BPM
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: II. Imple superna gratia - Live at Concertgebouw, Amsterdam, May 2025	Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä	A♭ Major	3	4B	96 BPM
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Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do	James MacMillan, Britten Sinfonia, Polyphony, Stephen Layton	B Major	2	1B	80 BPM
Concerto grosso no.1 (1976-77): 1. Preludio: Andante	Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff	C Minor	0	5A	93 BPM
7 Haikus: I. Molto adagio	Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo	D♭ Major	0	3B	75 BPM
Sensemaya	Silvestre Revueltas, Orquesta Sinfónica Carlos Chávez	F♯ Major	4	2B	100 BPM
Ligeti: Hamburg Concerto: II. Signale, Tanz, Choral	György Ligeti, Marie Luise Neunecker, Ozan Çazar, Simon Breyer, Sybille Mahni, Thomas Bernstein, Reinbert de Leeuw	C Major	0	8B	75 BPM