Peter Jones's ' "Field Variation" was released on its scheduled release date, January 1, 2004. This song is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The track order of this song in Peter Jones's "Gradual Motion 2" album is number 1 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Field Variation is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Field Variation by Peter Jones to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dary | Omar Sosa, Seckou Keita | F Major | 4 | 7B | 112 BPM | ||
| Hand Over Heart | Peter Jones | F♯ Major | 5 | 2B | 95 BPM | ||
| Driving in Seven | Peter Jones, John Barrett, Bob Venier, David jones, Jeremy Alsop, Alex Pertout, Ben Robertson | B Minor | 4 | 10A | 127 BPM | ||
| Ré | Divan Gattamorta | B♭ Minor | 9 | 3A | 100 BPM | ||
| Morning in Beramiada | Jackie Orszaczky, Graham Morgan, Peter Jones, John Robinson | G Major | 6 | 9B | 112 BPM | ||
| Jupiter | Chris Newbury | D Minor | 3 | 7A | 101 BPM | ||
| In Liquid | HandpanSolo | D Major | 2 | 10B | 100 BPM | ||
| Race Against Time | Christophe Zurfluh | A♭ Minor | 10 | 1A | 152 BPM | ||
| Free Voice | Peter Jones | B♭ Major | 5 | 6B | 98 BPM | ||
| Cascaa | Nanigo | G Major | 4 | 9B | 127 BPM | ||
| Prayer | Zen That Beat | F Major | 8 | 7B | 170 BPM | ||
| Midnight Transit | Chris Newbury | D Minor | 3 | 7A | 101 BPM | ||
| Don't Worry | Zoë Keating | C Major | 1 | 8B | 138 BPM | ||
| African Bossanova | Godfrey Mgcina | D♭ Major | 6 | 3B | 94 BPM | ||
| African Dance | Tribal Drums Ambient | A Major | 1 | 11B | 156 BPM | ||
| À Flor da Pele | Divan Gattamorta | C Major | 4 | 8B | 130 BPM | ||
| Mi Zot Olah | Yosef Gutman | D Minor | 3 | 7A | 101 BPM | ||
| Loch Lomond | Ralph Vaughan Williams, Philharmonic Chamber Choir, David Temple, Peter Jones | G Major | 1 | 9B | 52 BPM | ||
| Pop The Question | Tess McKenna, Peter Jones, Bill McDonald, Karen Rush, Shane O'Mara | D♭ Minor | 6 | 12A | 93 BPM | ||
| Reminiscence | Dante Bucci | F Major | 3 | 7B | 102 BPM | ||
| Let’s Go and Make It - Bonus Track | Jackie Orszaczky, Graham Morgan, Peter Jones, John Robinson | C Major | 7 | 8B | 124 BPM | ||
| Sacral Chakra | Chakradance | G Major | 8 | 9B | 140 BPM | ||
| Slobeat | John Hanks | B Minor | 7 | 10A | 98 BPM | ||
| Le Concile des Zoogs | Henry Torgue & Serge Houppin | D Major | 2 | 10B | 95 BPM | ||
| Obséduction | Henry Torgue & Serge Houppin | G Minor | 5 | 6A | 195 BPM |