Loch Lomond by Ralph Vaughan Williams, Philharmonic Chamber Choir, David Temple, Peter Jones Song Details

"Loch Lomond" by Ralph Vaughan Williams, Philharmonic Chamber Choir, David Temple, Peter Jones had its release date on May 4, 1988. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 18 in All in the April Evening: A Cappella Favourites from the British Isles by Philharmonic Chamber Choir, Hugh Roberton, David Temple, Ralph Vaughan Williams, Charles Villiers Stanford, Rutland Boughton, Jessie Seymour Irvine. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Loch Lomond is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Loch Lomond by Ralph Vaughan Williams, Philharmonic Chamber Choir, David Temple, Peter Jones is Lento (slowly), since this song has a tempo of 52 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -24.886 dB
Acousticness: 99%
Danceability: 26%
Energy: 9%
Instrumentalness: 1%
Liveness: 11%
Loudness: 59%
Speechiness: 5%
Valence: 9%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental	Gerald Finzi, Aurora Orchestra, Nicholas Collon	C Minor	1	5A	99 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester	C Major	1	8B	96 BPM
The Moldau (Vltava), JB 1:112/2	Bedřich Smetana, Leopold Stokowski	G Major	2	9B	98 BPM
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo	Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra	D♭ Major	0	3B	73 BPM
An English Suite: VI. Air	Hubert Parry, London Symphony Orchestra, Sir Adrian Boult	G Major	0	9B	91 BPM
Panis Angelicus (Arr. Leopold Stokowski)	César Franck, Matthias Bamert, BBC Philharmonic	A Major	1	11B	65 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Kol Nidrei - Adagio For Cello, Opus 47	Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim	D Major	1	10B	81 BPM
Vaughan Williams: The Lark Ascending	Ralph Vaughan Williams, Sir Adrian Boult, Hugh Bean, New Philharmonia Orchestra	E Minor	0	9A	102 BPM
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	G Minor	3	6A	140 BPM
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio	Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden	D Major	0	10B	93 BPM
II. Carol	Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei	C Minor	0	5A	128 BPM
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts)	Aaron Copland, Aurora Orchestra, Nicholas Collon	D♭ Major	1	3B	82 BPM
Mors et Vita: Judex	Charles Gounod, Richard Hickox Orchestra, Richard Hickox	C Minor	1	5A	95 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee	F Major	1	7B	147 BPM
The Lark Ascending	Ralph Vaughan Williams, Iona Brown, Academy of St. Martin in the Fields, Sir Neville Marriner	E Minor	1	9A	106 BPM
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato	Ottorino Respighi, RTÉ National Symphony Orchestra	D Major	1	10B	90 BPM
Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	0	4B	78 BPM
The Victorian Kitchen Garden - Suite: Prelude	Paul Reade, Emma Johnson, Skaila Kanga	B♭ Major	0	6B	67 BPM
A Downland Suite: III. Minuet	John Ireland, English String Orchestra, William Boughton	B♭ Major	0	6B	116 BPM
Henry V: "Touch her Soft Lips and Part" (1944)	William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra	B Minor	1	10A	98 BPM
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings)	Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	B Minor	1	10A	87 BPM
The Mausoleum at Halicarnassus - From "Seven Wonders" Suite	Stuart Mitchell, Czech National Symphony Orchestra, Paul Bateman	B Minor	0	10A	75 BPM
Oboe Concerto, Op. 20: II. Andante	Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba	F Minor	0	4A	67 BPM
Othello, Op. 79: II. Children's Intermezzo	Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper	F Major	0	7B	113 BPM