Steve The Trailplayer's 'In Every Worthy Way' had a release date set for December 29, 2025. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. In Every Worthy Way's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Tunesmith". In this album, this song's track order is #15. In Every Worthy Way is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In Every Worthy Way by Steve The Trailplayer having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| If You Could | Charlie White | A Major | 3 | 11B | 160 BPM | ||
| Lonlieness is My Only True Friend | Roger Alan Wade | B♭ Major | 5 | 6B | 105 BPM | ||
| Confidante | Paul McCartney | D Major | 5 | 10B | 117 BPM | ||
| Delia | Charlie Parr | E Major | 2 | 12B | 118 BPM | ||
| Lights of Cheyenne | James McMurtry | A♭ Major | 4 | 4B | 148 BPM | ||
| Lost in Time | Charlie White | D Major | 3 | 10B | 144 BPM | ||
| your kindness | stephen t.p. moore | G Minor | 9 | 6A | 143 BPM | ||
| Far and Wide | Steve The Trailplayer | D Major | 5 | 10B | 154 BPM | ||
| Armor of God | Steve The Trailplayer | D Major | 5 | 10B | 154 BPM | ||
| to the mountains | fenceliners | D Major | 5 | 10B | 154 BPM | ||
| Blue Eyes Crying In the Rain | Willie Nelson, Jack Johnson, Ben Harper | E Major | 5 | 12B | 108 BPM | ||
| Nights In White Satin | Alain Bashung | D Minor | 2 | 7A | 117 BPM | ||
| got it made | Steve The Trailplayer | F♯ Minor | 3 | 11A | 124 BPM | ||
| Shackles and chains | Calvin Russell | G Major | 5 | 9B | 79 BPM | ||
| Lonesome Picker | Jim Sullivan | G Major | 8 | 9B | 104 BPM | ||
| Help me Mary - Version Piano – Voix | Arno, Sofiane Pamart | E Minor | 1 | 9A | 124 BPM | ||
| A DIFFERERNT PLACE TO BE | NEIL SEVEN MOORE | D Major | 5 | 10B | 154 BPM | ||
| Prison On Route 41 | Calexico, Iron & Wine | A Major | 3 | 11B | 113 BPM | ||
| Little Sadie | Mark Lanegan | A Major | 3 | 11B | 97 BPM | ||
| Wretch That I Am | MountainHouse | C Major | 2 | 8B | 180 BPM | ||
| Take It or Leave It | Charlie White | E Major | 4 | 12B | 154 BPM | ||
| Eileen | Jason Isbell | G Major | 3 | 9B | 107 BPM | ||
| Create Me - Alternate Take | Neil Diamond | D Major | 2 | 10B | 168 BPM | ||
| Like a wounded bird trying to fly | Kurt Vile | B Major | 5 | 1B | 105 BPM | ||
| Rolling By | Robert Earl Keen | C Major | 1 | 8B | 126 BPM |