"In Like Flint" by Jerry Goldsmith had its release date on January 1, 1966. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. In Like Flint's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Our Man Flint". In this album, this song's track order is #8. In Like Flint is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In Like Flint by Jerry Goldsmith having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Battlestar Galactica Theme | Stu Phillips | C Major | 5 | 8B | 96 BPM | ||
| Red Alert | Star Trek - First Contact | A♭ Major | 2 | 4B | 100 BPM | ||
| Crowd Control - From “The Mummy” Soundtrack | Jerry Goldsmith | D♭ Major | 2 | 3B | 77 BPM | ||
| Sky Ferry | Alexandre Desplat | E♭ Major | 1 | 5B | 88 BPM | ||
| Prologue / Main Title | Stu Phillips | F Major | 0 | 7B | 71 BPM | ||
| Peligros | Armonias | A Major | 6 | 11B | 120 BPM | ||
| The World Of Tomorrow | Edward Shearmur | F Major | 4 | 7B | 126 BPM | ||
| A Useful Servant | Jerry Goldsmith | E Minor | 1 | 9A | 116 BPM | ||
| Korgar | Koda Bark | F♯ Major | 5 | 2B | 131 BPM | ||
| Round Up | Marco Beltrami | F Minor | 1 | 4A | 86 BPM | ||
| Ritmos Crecientes | Las Guerreras | E Major | 1 | 12B | 77 BPM | ||
| Control | Niclas Moan, Nocilla | F Minor | 2 | 4A | 69 BPM | ||
| Epilogue / End Title | James Horner | G Major | 3 | 9B | 97 BPM | ||
| The Duchess | Rachel Portman | G Major | 2 | 9B | 116 BPM | ||
| Star Trek: Deep Space Nine - Main Title | Dennis McCarthy | C Major | 2 | 8B | 66 BPM | ||
| Flying from "E.T. The Extra-Terrestrial" | John Williams, Boston Pops Orchestra | C Major | 2 | 8B | 80 BPM | ||
| Hospital Chase | Leonard Rosenman | C Major | 6 | 8B | 136 BPM | ||
| Trinity Infinity | Don Davis | E Minor | 4 | 9A | 132 BPM | ||
| Trust & Facade | Hollers Gang | E Major | 2 | 12B | 51 BPM | ||
| Birth | Cliff Eidelman | D Major | 1 | 10B | 74 BPM | ||
| Recortes | Armonias | A Major | 5 | 11B | 119 BPM | ||
| Respect of a New Day | Ernesto Vallini, Neon Lilith, Belinda J Crossward | D♭ Minor | 4 | 12A | 88 BPM | ||
| My Way to Love You | Silviu Michaels, Sade | C Major | 3 | 8B | 110 BPM | ||
| The Untouchables - From "The Untouchables" Soundtrack | Ennio Morricone | C Major | 2 | 8B | 144 BPM | ||
| Planet Earth Prelude | George Fenton | B♭ Minor | 2 | 3A | 71 BPM |