Ranu Mukherjee, Hemant Kumar's ' "Neendiya Mami Aa Jao" was released on its scheduled release date, January 1, 1968. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 6 in Do Dooni Chaar by Hemant Kumar, Gulzar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Neendiya Mami Aa Jao's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Neendiya Mami Aa Jao by Ranu Mukherjee, Hemant Kumar is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dhekir Gaan | Aditi Munshi | E♭ Major | 3 | 5B | 131 BPM | ||
| गोविंद बोलो हरि गोपाल बोलो | Shradhey Gaurav Krishna Goswami Ji | E Major | 6 | 12B | 96 BPM | ||
| Muje Hai kam Ishwar se | NARAYANSWAMI | F Major | 5 | 7B | 95 BPM | ||
| Titli Udi Bus Pe Chadhi | Kids Carnival Hindi, Infobells | C Major | 4 | 8B | 100 BPM | ||
| AA Himat Ka Ek Kadam | Brahma Kumaris | G Major | 3 | 9B | 130 BPM | ||
| Jibonero Sar Tumi Probhu | Sapan Chakraborty, Asha Bhosle | G Major | 5 | 9B | 145 BPM | ||
| Zindagi To Bewafa Hai - Jhankar Beats | Mohammed Rafi | A♭ Minor | 7 | 1A | 104 BPM | ||
| Badhai Ho Badhai | Ketul Patel | F Major | 5 | 7B | 157 BPM | ||
| Yeh Kis Ki Sada Hai (with Commentary) | Bhupen Hazarika, Gulzar | B♭ Major | 3 | 6B | 137 BPM | ||
| Chandni Toh Soyee | Ranu Mukherjee | D Major | 3 | 10B | 123 BPM | ||
| Woh Bhi Suraj Ka Sataya Hoga | Pankaj Udhas | F Major | 5 | 7B | 123 BPM | ||
| Koi Ummeed Bar Nahi Aati | Ek Raag | E♭ Major | 3 | 5B | 131 BPM | ||
| Log Kiya Kiya Kaha Nahein Karte | Ghulam Ali | E♭ Major | 3 | 5B | 131 BPM | ||
| Tara Vina Veran Laage Aa Raatdi | Ashvin Mistry | B Major | 6 | 1B | 141 BPM | ||
| Dukh Me Sumiran | Samir Date, Dipalee Somaiya Date | F Minor | 4 | 4A | 176 BPM | ||
| Tu Pass Aa Ja Zara | Ayesha Khan | F Minor | 6 | 4A | 143 BPM | ||
| Aaj Bikeler Dake Tomar Chithi | Banasree Sengupta | E♭ Minor | 3 | 2A | 122 BPM | ||
| Raja Tori Ankhian Badi Mazedaar | T. Shivalkar, Jyoti | C Major | 2 | 8B | 110 BPM | ||
| Girdhari Re | Nandini Sharan | A♭ Major | 5 | 4B | 149 BPM | ||
| Najariya Ki Mari | Rajkumari | E♭ Major | 3 | 5B | 79 BPM | ||
| Beech Bhanwar Mein | Suraiya | C Major | 5 | 8B | 137 BPM | ||
| Taire Naire Na | Antara Chowdhury | D Major | 9 | 10B | 130 BPM | ||
| Woh Meri Mohabbat Ka | Roop Kumar Rathod, Sonali Rathod | D Major | 4 | 10B | 112 BPM | ||
| Lucknow Kathak, Tara Charane | Anoopam Mission, Bhavik Patel | C Major | 2 | 8B | 99 BPM | ||
| Namami Gange | Abhishek Bajpai, Ashish Ashu Dixit | B Major | 5 | 1B | 118 BPM |