Underoath's 'I'm Content With Losing' had a release date set for January 1, 2004. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "They're Only Chasing Safety". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. The popularity of I'm Content With Losing is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I'm Content With Losing by Underoath having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thanks for Coming (I Like You Dead) | Hopes Die Last | E Minor | 9 | 9A | 98 BPM | ||
| Spin | Taking Back Sunday | E♭ Minor | 10 | 2A | 95 BPM | ||
| The Past Should Stay Dead | Emarosa | F♯ Major | 9 | 2B | 91 BPM | ||
| The Same Graceful Wind | Vanna | E Minor | 10 | 9A | 125 BPM | ||
| You're Ever So Inviting | Underoath | D Minor | 10 | 7A | 180 BPM | ||
| Hey John, What's Your Name Again? | The Devil Wears Prada | G Major | 10 | 9B | 92 BPM | ||
| The Weakest | Emery | A♭ Major | 9 | 4B | 170 BPM | ||
| Her Last Winter | Lower Definition | F Minor | 9 | 4A | 83 BPM | ||
| Perfection Through Silence | Finch | D♭ Major | 9 | 3B | 117 BPM | ||
| Only Our Faces Hide | Beloved | D Major | 10 | 10B | 173 BPM | ||
| Killing A Classic | Drop Dead, Gorgeous | F Minor | 9 | 4A | 95 BPM | ||
| War All The Time | Thursday | A Minor | 8 | 8A | 125 BPM | ||
| Kiss Me, I'm Contagious | From First To Last | F Major | 9 | 7B | 105 BPM | ||
| We Are Paramount | Broadway | D Minor | 9 | 7A | 175 BPM | ||
| What Happens If I Can't Check My Myspace When We Get There | Attack Attack! | D♭ Minor | 10 | 12A | 100 BPM | ||
| Bitemarks And Bloodstains | Finch | D♭ Minor | 8 | 12A | 160 BPM | ||
| Act Appalled | Circa Survive | G Minor | 9 | 6A | 154 BPM | ||
| The Risk | Lovehatehero | A♭ Major | 9 | 4B | 188 BPM | ||
| Long Walks on Short Bridges | Sky Eats Airplane | F Minor | 9 | 4A | 180 BPM | ||
| I Never Saw It Coming | Confide | C Major | 10 | 8B | 192 BPM | ||
| Wake Up Call | Hawthorne Heights | D♭ Minor | 8 | 12A | 173 BPM | ||
| I Liked You Better Before You Were Naked On the Internet | From First To Last | C Major | 8 | 8B | 102 BPM | ||
| The Second Wrong Makes You Feel Right | From Autumn To Ashes | E Major | 10 | 12B | 100 BPM | ||
| Severed Ties Yield Severed Heads | It Dies Today | A♭ Major | 9 | 4B | 171 BPM | ||
| Steps Ascending | Thursday | A Minor | 9 | 8A | 166 BPM |