Mateo Pascual's ' "Road To War: Back To Base" was released on its scheduled release date, October 10, 2011. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Road To War: Back To Base's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 29 in Commandos 2 Men of Courage by Mateo Pascual. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Road To War: Back To Base's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Road To War: Back To Base by Mateo Pascual is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Peak | Eldar Dadashov, Edmelody | A Minor | 1 | 8A | 139 BPM | ||
| Analytics | Chris Tilton | C Major | 1 | 8B | 120 BPM | ||
| Funeral Pyre | John Powell, Pete Anthony, The Hollywood Studio Symphony | D Major | 10 | 10B | 108 BPM | ||
| Guild Wars Live | Czech Philharmonic Chamber Orchestra & Kuehn's Mixed Choir | D♭ Major | 8 | 3B | 136 BPM | ||
| Flying On The Water | Mateo Pascual | A Major | 8 | 11B | 117 BPM | ||
| The Secret World | Simon Poole | F Major | 4 | 7B | 83 BPM | ||
| New Day | Renat Mentanus, Renatus | D Major | 3 | 10B | 90 BPM | ||
| Different Types | Joel Sandro, Joel | D Major | 2 | 10B | 84 BPM | ||
| Detroit Marketplace | Michael McCann | B Major | 5 | 1B | 180 BPM | ||
| Frameshift & Starports: Frameshift Suite - Sixth Movement – Canes Venatici | Erasmus Talbot | A Minor | 6 | 8A | 128 BPM | ||
| Compression | Lance Hayes | E Major | 5 | 12B | 105 BPM | ||
| Death From Above | Sascha Dikiciyan, Cris Velasco | G Major | 8 | 9B | 125 BPM | ||
| The Prodigal Son Brings Death | Edgar Rothermich | C Minor | 4 | 5A | 112 BPM | ||
| Village Entrance Theme | Robyn Miller | A♭ Major | 1 | 4B | 86 BPM | ||
| Stronger | Mark Braids, Mark Buho | F♯ Major | 0 | 2B | 74 BPM | ||
| Aerials | Mai Clayton, MaiMoone | D♭ Major | 2 | 3B | 170 BPM | ||
| What Lurks | Frank Klepacki | E Minor | 3 | 9A | 94 BPM | ||
| Seasons Through the Ages (Rain) | Todd Masten | G Major | 3 | 9B | 160 BPM | ||
| The Mutant | Jerry Goldsmith | B♭ Major | 1 | 6B | 112 BPM | ||
| Salvation | Danny Elfman | E Minor | 1 | 9A | 76 BPM | ||
| The Halftrack Chase | Michael Giacchino | A Minor | 5 | 8A | 100 BPM | ||
| Truth | Olivier Deriviere | C Minor | 1 | 5A | 70 BPM | ||
| The Shattered Springs | Funcom Soundtrack, Knut Avenstroup Haugen | B Minor | 1 | 10A | 98 BPM | ||
| Last Name Crane, Icabod | Stephen Rippy, Kevin McMullan | F Major | 3 | 7B | 133 BPM | ||
| 14 Years After E-Day | Kevin Riepl, Gears of War | B Minor | 8 | 10A | 92 BPM |