Randy Ingram's 'Late Romantic' had a release date set for February 18, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Sky/Lift". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Late Romantic's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Late Romantic by Randy Ingram having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Very Last Hello | 6th Street Jazz | D Minor | 2 | 7A | 99 BPM | ||
| Moonlight in Vermont | John Moriarty, Randy Ingram, Adam Pache, Matt Clohesy | C Major | 1 | 8B | 99 BPM | ||
| As light retreats | Mabon Clarke Quartet | E♭ Major | 0 | 5B | 93 BPM | ||
| Missing | Juliann Kuchocki | A♭ Major | 2 | 4B | 103 BPM | ||
| Promise Me | Suzan Veneman, Timothy Banchet | A♭ Minor | 2 | 1A | 122 BPM | ||
| What Second Line | Sadao Watanabe | C Major | 5 | 8B | 100 BPM | ||
| Find Another You | Christian Frentzen, Dannielle De Andrea | A Minor | 0 | 8A | 80 BPM | ||
| Like Flight | Randy Ingram | E Major | 3 | 12B | 80 BPM | ||
| Delirium | John Moriarty, Randy Ingram, Adam Pache, Matt Clohesy | D♭ Minor | 3 | 12A | 90 BPM | ||
| Curtain Groove | CoolRoot | E♭ Major | 4 | 5B | 114 BPM | ||
| Trumpet Carnival | Horn Society | G Minor | 4 | 6A | 88 BPM | ||
| The Garden | Ineza | A♭ Minor | 3 | 1A | 133 BPM | ||
| Only One Step Back | Lys Rooms | C Major | 1 | 8B | 80 BPM | ||
| Didn’t We | Aubrey Johnson, Randy Ingram | A Minor | 2 | 8A | 65 BPM | ||
| This Could Be The Start of Something Big | Sibel Köse Septet | D Minor | 5 | 7A | 134 BPM | ||
| Misery | Lluis Capdevila | A♭ Major | 1 | 4B | 103 BPM | ||
| The Boat | Lluis Capdevila, Petros Klampanis, Luca Santaniello | A Minor | 0 | 8A | 74 BPM | ||
| Autumn Glow | Brian Dickinson, Penderecki String Quartet, Kelly Jefferson, Jim Vivian | C Major | 3 | 8B | 110 BPM | ||
| Flat | Pedro Nobre, Demian Cabaud, John O´gallagher, Nuno Costa, Pedro Felgar | F Minor | 4 | 4A | 104 BPM | ||
| Decisions in Warm Water | Smoke & Sonata | C Major | 3 | 8B | 110 BPM | ||
| Hank and Charlie | Shai Maestro, Philip Dizack, Jorge Roeder, Ofri Nehemya | D Major | 1 | 10B | 102 BPM | ||
| Guimarâes | Randy Ingram | F Major | 2 | 7B | 87 BPM | ||
| Blue Smoke | SANTY HERLINA | C Major | 2 | 8B | 94 BPM | ||
| Elegia | Kevin Hays, Ben Street, Billy Hart | G Major | 3 | 9B | 143 BPM | ||
| Bask | Ifeoma P. | F Major | 2 | 7B | 118 BPM |