"カスタ・ディーヴァ (『ノルマ』より)" by V. ベルリーニ, 森下幸路(ヴァイオリン), カール=アンドレアス・コリー(ピアノ) had its release date on October 25, 2001. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in カンタービレ, so we believe that "カスタ・ディーヴァ (『ノルマ』より)" is a single. Based on our statistics, カスタ・ディーヴァ (『ノルマ』より)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of カスタ・ディーヴァ (『ノルマ』より) by V. ベルリーニ, 森下幸路(ヴァイオリン), カール=アンドレアス・コリー(ピアノ) is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Romances, Op. 22: No. 1, Andante molto | Clara Schumann, Natalia Lomeiko, Dinara Klinton | D Major | 1 | 10B | 101 BPM | ||
| Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
| 一步之遥 - 选自电影《闻香识女人》 | 陆威, 周启, 陈麒元, 赵耀 | C Major | 2 | 8B | 116 BPM | ||
| 5 Pieces for 2 Violins & Piano (Arr. for 2 Violas & Piano by Lev Atovmyan & Mamiko Kobayakawa): No. 3, Elegy. Andantino | Dmitri Shostakovich, Veit Hertenstein, Peijun Xu, Ah Ruem Ahn | D Major | 1 | 10B | 169 BPM | ||
| Grieg: Holberg Suite, Op. 40: IV. Air | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | G Minor | 0 | 6A | 79 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 5 in E Minor, Poco allegro | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | F♯ Minor | 8 | 11A | 130 BPM | ||
| Enigma Variations Op.36: Variation IX. Adagio 'Nimrod' | Edward Elgar, Maxwell Philharmonic Orchestra | B Minor | 4 | 10A | 160 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
| La Capricieuse Op. 17 | Edward Elgar, Daniel Lozakovich, Stanislav Soloviev | E Major | 1 | 12B | 104 BPM | ||
| 10 Preludes, Op. 23: No. 10, Largo (Arr. for Cello and Piano by Anatoliy Brandukov) | Sergei Rachmaninoff, Denis Shapovalov, Alexander Vershinin | E Minor | 1 | 9A | 73 BPM | ||
| Adieu (Arr. for String Quartet by Paul Cassidy): Adieu (Arr. for String Quartet by Paul Cassidy) | Edward Elgar, Brodsky Quartet, Julian Jacobsen | B Minor | 0 | 10A | 74 BPM | ||
| Schumann: Violin Concerto in D Minor, WoO 23: II. Langsam | Robert Schumann, Daniel Harding, Renaud Capuçon, Mahler Chamber Orchestra | B♭ Major | 1 | 6B | 62 BPM | ||
| Saxophone Concertino, Op. 78: Concertino, Op. 78 | Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet | A♭ Major | 0 | 4B | 128 BPM | ||
| Soir - Matin, Op. 76: I. Soir. Andante cantabile | Mel Bonis, Trio Wanderer | E Minor | 1 | 9A | 73 BPM | ||
| Thaïs, Act II, Méditation, Thais, Act II: Meditation (version for violin and piano) [Version for violin and piano] | Jules Massenet, Amy Schwartz Moretti, Elizabeth Pridgen | E Minor | 2 | 9A | 66 BPM | ||
| Méditation in F Major, Op. 33 | Mel Bonis, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 86 BPM | ||
| Après un rêve | Gabriel Fauré, Christophe Beau, Maya Suguro | A♭ Major | 1 | 4B | 103 BPM | ||
| Lieder ohne Worte, Op. 102: No. 4 Andante (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 119 BPM | ||
| 65- Igual ao Mestre! | Orquestra Sacra | E♭ Major | 1 | 5B | 115 BPM | ||
| Cobalt Remembrance | HOYO-MiX | A♭ Minor | 1 | 1A | 82 BPM | ||
| Cello Sonata in A Minor: III. Adagio | Henriette Bosmans, Raphaela Gromes, Julian Riem | C Major | 1 | 8B | 69 BPM | ||
| Halvorsen: Passacaglia (After Handel's Keyboard Suite, HWV 432) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 2 | 6A | 109 BPM | ||
| La Fille du Régiment, Act I, Scene 11: Air de Marie "Il faut partir" (Arr. for Piano & Viola) | Gaetano Donizetti, Antoine Tamestit, Cédric Tiberghien | F Minor | 0 | 4A | 76 BPM | ||
| Bach, JS: Violin Sonata No. 4 in C Minor, BWV 1017: III. Adagio | Johann Sebastian Bach, Renaud Capuçon, David Fray | E♭ Major | 0 | 5B | 80 BPM | ||
| 白鳥(サン=サーンス) | Camille Saint-Saëns, Yoko Hasegawa | D Minor | 4 | 7A | 149 BPM |