"Jetés" by Ludwig Minkus, Charles Mathews had its release date on March 12, 2012. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Charles Mathews's "Music for Ballet Class - Volume 2" album is number 21 out of 33. On top of that, United States appears to be the country where this track was created. In terms of popularity, Jetés is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jetés by Ludwig Minkus, Charles Mathews to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grand Pas Classique: Coda | Daniel Auber, Tasmanian Symphony Orchestra, Nicolette Fraillon | C Major | 4 | 8B | 118 BPM | ||
| Romeo and Juliet, Op. 64, Act I: Juliet’s Variation | Sergei Prokofiev, Vasily Petrenko, Oslo Philharmonic Orchestra | F Major | 1 | 7B | 80 BPM | ||
| La Bayadere, Act II: 36. "Variations Nikiya; Snake, and Finale" | Evergreen Symphony Orchestra, Kevin Galiè | C Major | 2 | 8B | 135 BPM | ||
| Esmeralda, Act 2: Esmeralda’s Variation (Grand Battement) | Cesare Pugni, Nina Miller | C Minor | 2 | 5A | 90 BPM | ||
| Giselle, Act 2: No. 18 Pas de Deux - second half (Alternative Version) | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | ||
| Raymonda, Act III: Coda | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 4 | 7A | 166 BPM | ||
| Don Quixote: Act II: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D Major | 0 | 10B | 102 BPM | ||
| Clog Dance (La Fille Mal Gardee) | The Regency House Orchestra | G Minor | 2 | 6A | 130 BPM | ||
| Etudes: XII. Mazurka | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Minor | 3 | 8A | 141 BPM | ||
| Feuerfest! Polka française, Op. 269 | Josef Strauss, Lorin Maazel, Wiener Philharmoniker | D Major | 4 | 10B | 179 BPM | ||
| Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
| Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM | ||
| La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | ||
| Raymonda, Act I: Prelude et Variation | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 104 BPM | ||
| Giselle, Act I: Variation de Giselle | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 0 | 12B | 78 BPM | ||
| The Sleeping Beauty, Op. 66 : Coda | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | D Major | 3 | 10B | 90 BPM | ||
| Sylvia - Ballet Suite: Pizzicato | Vienna Volksoper Orchestra & Josef Leo Gruber | E♭ Major | 1 | 5B | 134 BPM | ||
| La Polka de Minuit | Patrick Doyle | G Major | 4 | 9B | 143 BPM | ||
| Jazz Suite No. 2: VII. Dance 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 109 BPM | ||
| Grande tarantelle, Op. 67, D. 66 | Louis Moreau Gottschalk, Joel Fan, Northwest Sinfonietta, Christophe Chagnard | D Minor | 1 | 7A | 146 BPM | ||
| Don Quixote: Act III: Flower Waltz | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 0 | 8B | 156 BPM | ||
| Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
| Etudes: I. Tendus - grands battements - fondus - frappés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Minor | 2 | 6A | 93 BPM | ||
| Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jeremy Fisher (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | C Major | 2 | 8B | 103 BPM |