The Dizzy Reece Quartet, Tubby Hayes's 'The Escape And The Chase' had a release date set for October 14, 2010. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. The Escape And The Chase's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Dizzy Reece, Tubby Hayes's "Jazz Themes From Nowhere To Go" album is number 2 out of 4. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Escape And The Chase's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Escape And The Chase by The Dizzy Reece Quartet, Tubby Hayes to be Allegro (fast, quick, and bright) because the track has a tempo of 153 BPM, a half-time of 76BPM, and a double-time of 306 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Afterglow | Bobby Hackett | B♭ Major | 2 | 6B | 123 BPM | ||
| Summoners Kings | Salma Del Sol | B Major | 3 | 1B | 183 BPM | ||
| Understand | Austyn Ziemann | A Minor | 1 | 8A | 118 BPM | ||
| Angel Eyes | Duke Pearson | F Minor | 0 | 4A | 178 BPM | ||
| A Window to Nowhere | León Areíto | D Minor | 7 | 7A | 193 BPM | ||
| Johnny Alf - En Vivo | La Musimedios Big Band | B Minor | 6 | 10A | 110 BPM | ||
| Little Waltz | Duke Pearson | C Major | 1 | 8B | 106 BPM | ||
| The Last Table | Vallea | C Major | 1 | 8B | 75 BPM | ||
| Nothing But Time | Sherbourne Rivers | C Major | 1 | 8B | 97 BPM | ||
| Slow Street | Lena Vibes | C Minor | 0 | 5A | 79 BPM | ||
| After | Vallea | D♭ Major | 2 | 3B | 140 BPM | ||
| ディキシーランドジャズ6 | 茶屋萬衛門 | C Minor | 5 | 5A | 105 BPM | ||
| Morning Blue | The Joe Harriott Quintet | D♭ Major | 3 | 3B | 143 BPM | ||
| Ida (Sweet as Apple Cider) | John Kirby, Charlie Shavers, Buster Bailey, Russell Procope, Billy Kyle, O'Neill Spencer | E♭ Major | 5 | 5B | 124 BPM | ||
| In the End, I Miss the Train | Rubio Faviere, Songs of Birdland | G Major | 1 | 9B | 68 BPM | ||
| Bashing Chair | Glenn Warner | A♭ Major | 1 | 4B | 60 BPM | ||
| No Center Point | Croma Collective | A Minor | 4 | 8A | 121 BPM | ||
| New Cowper | Astramento | A Minor | 2 | 8A | 126 BPM | ||
| Nocturne for Strangers | Old Jazz Music | D♭ Minor | 2 | 12A | 154 BPM | ||
| Sango | TransferX | A♭ Minor | 3 | 1A | 62 BPM | ||
| Wildflower | Ian Wilson | B Major | 4 | 1B | 150 BPM | ||
| Skittle Green | Astramento | B Minor | 2 | 10A | 111 BPM | ||
| Paz Sublime Paz | Tiago Daniel, Playback CCB | E♭ Major | 0 | 5B | 77 BPM | ||
| Bells Weddings | Bills Keep | A Minor | 4 | 8A | 121 BPM | ||
| Dernier Verre | Luz Mala | A Minor | 4 | 8A | 121 BPM |