"Semele, HWV 58, Act III Scene 2: My Racking Thoughts By No Kind Slumbers Freed" by George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson had its release date on January 1, 1993. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Semele, HWV 58, Act III Scene 2: My Racking Thoughts By No Kind Slumbers Freed's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, English Chamber Orchestra, John Nelson's "Handel: Semele" album is number 8 out of 77. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Semele, HWV 58, Act III Scene 2: My Racking Thoughts By No Kind Slumbers Freed is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Semele, HWV 58, Act III Scene 2: My Racking Thoughts By No Kind Slumbers Freed by George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | B♭ Major | 1 | 6B | 78 BPM | ||
| Symphony in A Major, J-C 62: IIIb. Allegro (alternative finale) | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Water Music Suite No. 3 in G Major, HWV 350: Rigaudon I & II | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 98 BPM | ||
| Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | ||
| Handel: Water Music Suite No. 3, HWV 350: I. Lento (Ed. Boyling) | George Frideric Handel, Yehudi Menuhin, Bath Festival Orchestra | D Major | 1 | 10B | 85 BPM | ||
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | ||
| Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Sonata No. 13, Hob. XVI:6: III. Adagio | Joseph Haydn, Jean-Efflam Bavouzet | B♭ Major | 0 | 6B | 75 BPM | ||
| Stabat Mater, P. 77: VII. Eia Mater | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 0 | 5A | 100 BPM | ||
| Atys, "Le Sommeil" Opera in 5 actes with prologue: Le sommeil | Jean-Baptiste Lully, English Chamber Orchestra, Raymond Leppard | G Major | 1 | 9B | 146 BPM | ||
| Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
| Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, David Reichenberg, The English Concert, Trevor Pinnock | A Major | 1 | 11B | 68 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": I. Allegro ma non troppo - Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 126 BPM | ||
| Solomon HWV 67: The Arrival of the Queen of Sheba (Arr. Recorders & Orchestra) | George Frideric Handel, Lucie Horsch, Charlotte Barbour-Condini, Academy of Ancient Music, Bojan Čičić | A Major | 3 | 11B | 123 BPM | ||
| Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
| String Quartet No. 62 in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 1 | 9B | 110 BPM | ||
| Concerto for Oboe, Strings and B.c. "Voli per l'aria": Allegro ("Hence, Iris, Hence Away" from Oratorio 'Semele', HWV 58) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | A Minor | 3 | 8A | 77 BPM | ||
| Handel: Organ Concerto in B-Flat Major, Op. 7 No. 3, HWV 308: II. Adagio e fuga | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Simon Preston, Valda Aveling | D Minor | 0 | 7A | 82 BPM | ||
| Méditation from Thaïs | Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel Harding | E Minor | 1 | 9A | 89 BPM | ||
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
| Die schöne Müllerin, D. 795: No. 19, Der Müller und der Bach - Performed on Cello & Piano | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Sinfonia in D Major: III. Scherzando: Allegro | Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 3 | 10B | 109 BPM |