"Dans l'ombre de la montagne: IV. Vieille Église" by Guy Ropartz, Stephanie McCallum had its release date on January 1, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Ropartz: Piano Music". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Dans l'ombre de la montagne: IV. Vieille Église is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Dans l'ombre de la montagne: IV. Vieille Église by Guy Ropartz, Stephanie McCallum having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grieg: The Mountain Maid, Op. 67: No. 3, Blueberry Slope (Transcr. for Trumpet and Piano) | Edvard Grieg, Tine Thing Helseth, Håvard Gimse | F Major | 1 | 7B | 106 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | ||
| 3 Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Céline Moinet, Florian Uhlig | A Major | 5 | 11B | 73 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VII. Variation VI | Saverio Mercadante, Claudio Ferrarini | A♭ Major | 0 | 4B | 128 BPM | ||
| Passione amorose: III. Allegretto (Orchestrated by G. Jardanyi) | Giovanni Bottesini, Gergely Jardanyi, Odon Racz, Budapest Chamber Symphony, János Ács | A Major | 0 | 11B | 179 BPM | ||
| Mendelssohn, Fanny: 6 Lieder, Op. 9: No. 6, Die Mainacht (Version for Flute and Piano) | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | D♭ Minor | 1 | 12A | 72 BPM | ||
| Jūra, MKČ 102: III. Development | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Venus, the Bringer of Peace (From The Planets, Op. 32) - Arr. For Trombone & Organ | Gustav Holst, Peter Steiner, Constanze Hochwartner | C Major | 1 | 8B | 89 BPM | ||
| Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): I. Très modéré, expressif | Fernande Decruck, Asya Fateyeva, Valeria Myrosh | E Major | 1 | 12B | 102 BPM | ||
| Bassoon Sonata in G Major, Op. 168: II. Allegro scherzando | Camille Saint-Saëns, Christopher Millard, Stephane Lemelin | B Major | 0 | 1B | 71 BPM | ||
| どうか | 椿山日南子 | A♭ Major | 0 | 4B | 128 BPM | ||
| Weber: Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro | Carl Maria von Weber, Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | F Minor | 1 | 4A | 128 BPM | ||
| Clarinet Concerto: II. Scherzando | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | D Minor | 3 | 7A | 99 BPM | ||
| Eccles: Sonata in G Minor: I. Largo | Mark Morton | G Minor | 0 | 6A | 139 BPM | ||
| Clarinet Sonata in E-Flat Major, Op. 167, R. 147: IV. Molto allegro | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | G Major | 0 | 9B | 68 BPM | ||
| Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Guido de Neve, Jan Michiels | D Major | 0 | 10B | 104 BPM | ||
| Nocturno, Op. 7 | Franz Strauss, Xiao-Ming Han, Rainer Müller-van Recum, Marc Engelhardt, Dora Bratchkova, Peter Schmalfuss | B♭ Major | 1 | 6B | 112 BPM | ||
| Concerto for Horn and Orchestra, Op. 91: II. Andante | Reinhold Glière, Sir Edward Downes, BBC Philharmonic, Richard Watkins | E♭ Major | 0 | 5B | 133 BPM | ||
| Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Ballade Op.62 | Eugène Bozza, Ian Bousfield, Alison Procter | F Major | 0 | 7B | 70 BPM | ||
| Wind & Earth | Simon Zöchbauer, Federspiel | A♭ Major | 0 | 4B | 128 BPM | ||
| Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | A♭ Major | 0 | 4B | 128 BPM | ||
| Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
| Psaume 129 - De Profundis-Grave | Guy Ropartz, Michel Piquemal, Ensemble Instrumental Jean-Walter Audoli, Chœur régional Vittoria d'Ile de France, Catherine Dubosc, Vincent Le Texier | D♭ Major | 0 | 3B | 86 BPM | ||
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | E Minor | 2 | 9A | 82 BPM |